Looping until midnight, this two-hour programme explores how a quantum worldview manifests through moving image. Spanning speculative fiction, experimental documentary, non-narrative abstraction, and video essays, the works examine the sociotechnical imaginaries surrounding quantum phenomena and technologies.
The films traverse theoretical fictions entangled with mysticism and competing interpretations of quantum, the geopolitics of scientific infrastructures, and internet culture’s embrace of ‘quantum woo’. As we have been trained to process the world through classical frameworks, the programme invites us to ask what images, forms of language, and modes of sensing are needed to approach realities that unfold through our interaction with it.
Jordan Belson (US), Allures, 1961, 07:17 min.
Allures reaches toward the cosmic and the spiritual, where space itself becomes transcendental. Spirals and circles glide across alternating fields of dark and light; orbs shift colour in flash frames; dots suggest atoms or distant galaxies streaked by shooting stars and sudden sunbursts. An electronic soundtrack binds these shifting forms into a hypnotic experience that conjures both molecular structures and astronomical events. Belson described the film as a passage ‘from matter to spirit,’ a trajectory that moves beyond outer space into an inner, subjective realm of perception – all unfolding simultaneously.
Riar Rizaldi (ID), Mirage: Eigenstate, 2024, 30:01 min.
Mirage: Eigenstate weaves together analogous investigations into the nature of reality, positioning Western science as just one methodology among many in a constellation of pluralistic worldviews. The film explores diverse interpretations of reality – from tropical Sufi mysticism and monorealism to theories of quantum mechanics. Edited in the style of American astronomer and planetary scientist Carl Sagan’s 1980s television series Cosmos, which sought to explain the origin of life and the fourth spatial dimension, Mirage: Eigenstate draws on the tradition of scientific mass communication, where complex concepts are made accessible through straightforward explanations, often accompanied by imagery.
S()fia Braga (IT), Third Impact, 2025, 4:11 min.
Third Impact is an AI-generated movie that explores the future of human and non-human collaboration. The film centres around a quantum computer whose goal is to prevent the extinction of organic life on Earth, as the planet’s temperatures continue to rise and extreme weather events intensify, while biodiversity is disrupted through threatened ecosystems. As this very sophisticated computational machine carries out its mission, an unknown event occurs, resulting in the disappearance of all remaining forms of organic life on the planet. This event prompts the quantum machine to question its own existence and purpose, leading to an emotional journey of self-discovery from the machine's perspective.
Meanwhile, remnants of an obscure transhumanist initiative linger in the shadows of its code. What unfolds is an odyssey of rebirth, identity, and transformation, as the machine struggles with a newfound awareness that defies its original design.
Tania Candiani (MX), HUM, 2025, 09:46 min.
HUM explores the universal language of the trumpet shape: a form resonating through nature, culture, and the cosmos. Blending visual and auditory layers, it traces connections from sinkholes and black holes to ancient instruments and conceptual thought, from alpine alphorns to experiments at CERN. Through intricate soundscapes and imagery, it examines how this geometry amplifies the connections between the human, the natural, and the infinite, inviting viewers to uncover the unseen threads interweaving our world. The film is commissioned by Arts at CERN.
Chino Moya (ES), Four Fluctuations, 2023-2025, 11:05 min.
Fusing science fiction and documentary, Four Fluctuations chronicles a potential future history of humanity. A strangely familiar narrator guides us through four speculative chapters: the liberation from labour through artificial intelligence; the emergence of a post-corporeal reality structured by leisure; the digital extinction of humanity and its reconstruction by a synthetic entity, and the eventual convergence of humans, other-than-human life forms, and machines into a shared cognitive assemblage. Each chapter is generated through sucessive iterations of a single AI-image system trained by the artist, exposing the rapid evolution of synthetic image-making and the intertwined creative interventions, biases, and data that shape it.
Marina Otero Verzier & Manuel Correa (ES, CO), Building for Quantum, 23:31 min.
The film Building for Quantum follows the construction of the building that will host one of the few quantum computers in the world, the first in Spain. As quantum computing redefines the boundaries of knowledge, this film examines the imaginaries and aspirations surrounding the arrival of this technology at the Quantum Basque Centre in Donostia-San Sebastián. The film navigates the intersection of the physical and the philosophical within quantum architecture—juxtaposing the tangible, ordinary materials of brick and mortar with the meticulous precision required to sustain near-perfect vacuum chambers at temperatures colder than deep space.
Luis Enrique Zela-Koort (PE), Diferencia Absoluta, El Uno, 2023, 06:34 min.
The film explores Difference as a fundamental force of the universe. Clay, still-life animations, live video-mapping, and psychedelic textures create a layered collage that adapts a text by trans philosopher Emilié Carriere and draws on pre-Socratic thought. In a theatrical setting, two narrative forces explore identity and thought beyond binary structures. Framing Difference as a precondition of existence, the work turns performativity, storytelling, and identity into tools for remaking reality. Beyond modernity’s view of Difference as violence, the work affirms it as an eternal, fundamental principle.
Günseli Yalcinkaya (TR), Quantum Culture, 2025, c. 20 min.
QULTURE is a video essay that explores what an emergent quantum culture might look like through the various ways that quantum theory and its technological applications have been absorbed into pop culture, through New Age aesthetics, hype-driven news cycles, and military infrastructures. The film is commissioned by MOTH Quantum with an original score by Athens-based artist Evita Manji.
Blanca Pujals (ES), Quantum Sensing Infrastructures. Deep Underground Architectures for Spectral Matter, (2016-2025), 9:27 min
The long-running project Quantum Sensing Infrastructures. Deep Underground Architectures for Spectral Matter, (2016-2025) examines the geopolitics and complex implications of soft power within the field of fundamental science, what is often referred to as ‘science for peace’, through the transnational political treaties and the material infrastructures of the network of deep underground laboratories developed across the globe for the exploration of fundamental physics; more specifically CERN (European Organisation for Nuclear Research), the Canfranc Underground Laboratory (LSC), and scientific bases in Antarctica. These intricate sites constitute what the project calls ‘sensing infrastructures’, as they amplify new political and material interactions, offering a multiscalar, entangled organism of scientists, particles, liquids, data, politics, and technologies.
Largely invisible, these techno-fossil architectures extend territorial governance, energy dependency and the logics of soft power and “science for peace” into deep underground realms, often in remote and contested lands.
Evelina Domnitch & Dmitry Gelfand (RU), Time Synthesizer, 2020, 3 min.
At the very end of his life quantum pioneer Werner Heisenberg asked the question: why turbulence? The subtle transition from smooth to turbulent flow remains among nature's most impenetrable riddles. In Time Synthesizer, accumulative strata of microscopic hydrogen bubbles trace emerging turbulences along a flowing surface of water. Seeded in rapid succession by an electrode wire, the bubbles form time lines that vividly reveal a gamut of surface velocities across the entirety of the flow field. The bubbles are illuminated by a multi-coloured laser sheet, transforming them into prismatic lenses that expand the viewer's depth perception.
Still Mirage: Eigenstate © Riar Rizaldi