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Verein zur Förderung der Interkreativität

Postfach 0028
1072 Wien

ZVR-Zahl: 379653313
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Please find the privacy policy here:
https://www.belvedere.at/en/privacy-policy

Festival Venue:
Belvedere 21, Arsenalstraße 1, 1030 Wien
https://www.belvedere.at/besuch/belvedere-21

Imprint:
Österreichische Galerie Belvedere
Wissenschaftliche Anstalt öffentlichen Rechts
Prinz Eugen-Strasse 27
1030 Wien
T: +43 1 795 57-0
E-Mail: info@belvedere.at
Rechtsform: wissenschaftliche Anstalt öffentlichen Rechts
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Firmenbuchgericht: Handelsgericht Wien
UID Nr: ATU 16286800 DVR Nr: 00447404

For direct inquiries to sound:frame, write to info@soundframe.at

In case you want to contact our awareness team, write to awareness@soundframe.at

Introduction

Civa stands for Contemporary Immersive Virtual Art and was founded by the agency sound:frame (www.soundframe.at). The Civa media arts festival is co-organized and continually developed by Belvedere 21 and sound:frame.

This Code of Conduct is a living document that is continuously evolving and adapting to socio-political changes. We strive for the highest levels of inclusivity and sensitivity. If anyone notices any inaccuracies or instances of discrimination, we encourage you to report them. We acknowledge that we are not immune to making mistakes, but we are committed to learning and growing as an organization.

If you have any questions or remarks concerning this Code of Conduct, please don’t hesitate to contact awareness@soundframe.at.

The Code of Conduct does not replace any existing legal regulations but tries to ensure that everyone involved in the Civa-Festival experiences a discrimination-free environment and has as equal access to the festival as possible. Our goal is to create a space where all participants feel safe, respected, and valued, regardless of their background or identity.

The principles laid down in this Code of Conduct apply to all persons that participate in the Civa-Festival, including 

  • participants 

  • speakers

  • performers

  • members of the team

  • official partners to the Civa-Festival 

  • our sponsors. 

The current Code of Conduct offers an opportunity for safe interactions, protection, and stability. It serves as a framework and an additional tool for individuals to speak out against discrimination. For the organization, it provides a clear foundation to individually assess each case and determine specific actions to take. This approach aims to create added stability and security.

Why do we need a Code of Conduct for the Civa festival?

We are committed to provide an environment of mutual respect that is welcoming for all participants. We wish the festival to be a place of solidarity, thoughtful dialog and awareness! 

The Civa-Team hopes this Code of Conduct can serve as a guideline for communication and collaboration. We articulate desired behaviors while identifying our red lines and the consequences of exceeding. We want to create the most positive and safe positive environment possible for all participants, our team and our partners.

The necessity of a Code of Conduct for the Civa-Festival stems from the recognition that we live in a society characterised by inequalities. This document is essential to decrease the level of improvisation when handling harmful or unprofessional situations and to create accountability scenarios for those whose behavior makes others uncomfortable. It helps set collective boundaries for the organization and acts as a contract with everyone in the space, ensuring that hosts can create an inviting environment and guests feel welcome and included.

The Code of Conduct encourages reflection on what it means to share space, fostering respectful interactions and providing a protocol for dealing with conflicts. While conflicts can be an important catalyst for discussion and growth, they must be managed within defined limits to prevent harm. By addressing misconceptions, sharing responsibility for inclusivity, and creating a framework to understand our own boundaries and the boundaries of other persons. We establish a common ground for common values. This ensures everyone is heard, feels comfortable, and can trust one another, promoting a respectful and inclusive community at the festival.

Please note that the principles laid down are seen as non negotiable. Therefore, we reserve the right to take the adequate actions needed to preserve those principles as listed below.


Guidelines for Social Conduct

We uphold a zero-tolerance policy for any form of harassment, violence or discriminatory behavior.

We aim to ensure a safe, inclusive and supportive environment for all who share our basic values of solidarity and respect. This can lead to the exclusion of individuals or groups who promote hate or discrimination in accordance with the above mentioned point.

We celebrate diverse skills, disciplinary and educational backgrounds. We value mutual learning and embrace the unexpected. Civa is a place for growth and development, where we support each other in learning from our experiences, including our mistakes. 

We cooperate with people in a respectful and honest way. We encourage constructive and supportive interactions. Every person within the scope of this Code of Conduct is expected to contribute to a positive atmosphere, where collaboration and cooperation are prioritized over exclusionary behaviors.

Conflicts may arise, and we view them as opportunities for growth and discussion, provided they are handled with respect and within appropriate boundaries. We have a protocol for addressing conflicts that emphasizes resolution and learning. 

Reporting & Intervening by the Civa team 

We are deeply committed to fostering an inclusive, diverse, and discrimination-sensitive environment within our organization. We try to ensure a safe and supportive atmosphere, and therefore strongly encourage you to report any concerns regarding breaches of our Code of Conduct.

If you feel unsafe or encounter problematic behavior, we encourage you to speak up if you feel comfortable doing so. If you don’t have the energy or time to engage in a discussion, you can always contact us, and we will assist you. It is not necessary to disclose your identity. However, please be aware that your email address may reveal something about your identity. We assure you that, if requested, we will treat your matter with complete confidentiality.

Should you be called out on your behavior, listen, pause, apologize, and thank the person for pointing it out. Take responsibility to educate yourself, especially if the feedback is new to you.

In cases of experienced or observed harassment, or offensive, discriminatory behavior please email us at awareness@soundframe.at.

We handle all reports confidentially and impartially, and we have trained individuals ready to assist. 



Consequences of a breach of the Code of Conduct 

Each notification listed above will be reviewed on a case-by-case basis by a team from the Civa-Festival, consisting of at least one Awareness Person and one person from the Leadership Team. The team will subsequently assess the situation and take appropriate corrective actions, and a careful review will be conducted to determine whether a breach of the Code of Conduct has occurred. 

If a violation is confirmed, sound:frame reserves the right to exclude participants from events. Additionally, sound:frame may terminate contracts with employees, partners, performers, artists or speakers.

Compliance 

For our full data policy statement, please visit: https://civa.at/en#privacy-policy

Contact and further information

awareness@soundframe.at

This Code of Conduct was created together with Sophie Rendl from Frauendomäne

Pressdownload

For further information or appointments, please contact the Belvedere press team:

T: +43 664 800141297
presse@belvedere.at

Eva Fischer

Director, Artistic lead, curator

Anna Ewa Dyrko

Assistant Curator

Ana Prendes

Co-Curator and consultant

Leon Lapa Pereira

Co-Curator

Yannik Güldner

Co-Curator

Gerald Moser

Exhibition Design

Tatjana Gawron-Deutsch

Exhibition Production

Manuel Radde

Graphic Design for the Exhibition

Philipp Doringer

Graphic Design for the Exhibition

Enrico Zago

3D Design

Agathe Lemaitre

Communication, Content Management and Civa Social Media

Left

Web Development

Katharina Fennesz

Web Content Management

Sarah Matysek

Media Relations

Lisa Martha Janka

Online Communication

Katja Stecher

Art Mediation

Naima Rendl

Art Mediation

Laura Welzenbach

Ambassador, Tour guide

Daniel Wallner

Event Management and Rental

Veronika Lang

Event Management and Rental

Ayo Aloba

Ambassador

Paul Mayer

Graphic Design

Katharina Sacken

Lektorat

Jake Schneider

Translation

Steven Lindberg

Translation

Markus Maicher

Projectionist

Michael Krupica

Technical Implementation

Sophie Liebau

Publication Management

Eva Lahnsteiner

Publication Management

Lisa Wampera

Print and Promotional Media Production

Jutta Thuswaldner

Dialogue Marketing

Tas Skorupa

Copy Editing

Festival: October 2–4, 2025 
Exhibition: October 2, 2025 – February 1, 2026

Belvedere 21, Arsenalstraße 1, 1030 Vienna

The Civa media art festival highlights the interplay between contemporary technologies, realities, and experiences across digital, physical, and hybrid spaces. This year’s festival and exhibition will focus on the realm of quanta.

More than a century of research in quantum physics has shown that the universe is neither deterministic nor entirely comprehensible or rational. At the microscopic level, matter behaves according to principles that defy classical logic: particles can exist in multiple states simultaneously, their properties emerge through interaction, and through entanglement, they can remain connected even across light years.

Quantum research has unsettled the long-standing distinctions between subject and object, perception and matter, and Self and Other. In a world shaped by ecological crises, technological disruptions, and epistemic ruptures, these insights also find resonance in contemporary art.

|indeterminate⟩⟨apparatus| brings together artistic approaches that view the indeterminate as an aesthetic, political, and speculative realm. The artists engage with quantum concepts through poetic gestures, multi-layered embodied experiences, and playful abstraction. They explore the infrastructures of emerging quantum technologies and experiment with their creative potential. In doing so, they shed light on the frequently overlooked ecological and social implications that these technologies present while also negotiating their possibilities and inherent ambivalences.

The exhibition title, |indeterminate⟩⟨apparatus| draws on the bra-ket notation, a formalism used in quantum mechanics to describe states and their transformations. “Indeterminate” refers to an unmeasured quantum system—a state of potentiality where nothing has been established yet. “Apparatus” refers not only to the measuring instrument but also to the complex constellation of the observer, the observed, and the conditions of their encounter. This apparatus extends beyond the laboratory to encompass the structures that define what qualifies as knowable and visible—institutions, bodies, discourses, and power relations.

|indeterminate⟩⟨apparatus| asks how a quantum worldview could take shape that embraces a grammar of non-binarity, allows for indeterminacy, and reconfigures the apparatuses through which reality is created. Here, indeterminacy is not viewed as a limitation of knowledge but rather as a fundamental prerequisite of reality. Instead of an either/or choice, it opens up the possibility of both/and.

Artists in the exhibition:
Black Quantum Futurism, Alice Bucknell, Libby Heaney, Natalie Paneng, Mike Rijnierse

Festival director and curator:
Eva Fischer
Assistant curator: 
Anna Ewa Dyrko
Co-curator and advisor: 
Ana Prendes (Arts at CERN) 
Co-curators: 
Leon Lapa Pereira & Yannik Güldner (iii – instrument inventors initiative)

The Civa media arts festival is co-organized and continually developed by Belvedere 21 and sound:frame.

Admission to the exhibition and all Civa festival events is free October 2–4, 2025. 

The title of Civa 2025, |indeterminate⟩⟨apparatus|, is symbolic of this entanglement between existence and observation. Quantum experiments demonstrate that observer and observed do not exist independently of one another, but co-constitute each other in the encounter. Karen Barad calls this conditionality intra-action. With this in mind, |indeterminate⟩⟨apparatus| invites visitors to a collective, entangled, and intra-active process of retracing thought, thinking it in new ways, and experimentally putting it into practice. When the boundaries between subject and object, thinking and being, art and science become porous, a space of resonance opens, allowing for indeterminacy and the not-yet-known. Where there once was an “either/or,“ a “both/and” emerges. Indeterminacy is not the end of knowledge, but the launching point for new realities. – Eva Fischer

Exhibition

Black Quantum Futurism
Write No History

2021

In this two-part work, the BQF collective goes back to found and archived photographs, documents, and other materials of the Temporal Disruptors. This ancient secret association of Black scientists, healers, and writers travels through time and has developed a complicated network of communication that combines Afrodiasporic concepts of space-time with principles from quantum physics.

Places function as ritual meeting points and “portals” that connect the past, present, and future—for example, the Hatfield House in Philadelphia, which was relocated to a different place. The film documents the filling of quantum time capsules and the associated rituals of burying and opening them as a group. The tools, maps, clocks, and codes preserved in the time capsules serve to pass on knowledge and disrupt colonized timelines with the goal of protecting Black communities and activating a continuous circulation of communication, warning, and healing.

Glossary Terms:
|Agential realism⟩ |Determinism⟩ |Intra-action⟩ |Matter⟩ |Objectivity⟩ |Observation⟩ |Potentiality⟩ |Quantum physics⟩ |Reality⟩


Black Quantum Futurism (BQF)
Works in Philadelphia

The collective BQF was founded in 2014 by Camae Ayewa and Rasheedah Phillips as an interdisciplinary creative practice. The texts, films, and performances draw on diverse sources such as quantum physics and Afrodiasporic cultural traditions. BQF uses the artistic manipulation of space and time to create speculative futures in a practice of world making.

Image courtesy Black Quantum Futurism, © Black Quantum Futurism

Black Quantum Futurism
Write No History

Black Quantum Futurism
Write No History

2021

In this two-part work, the BQF collective goes back to found and archived photographs, documents, and other materials of the Temporal Disruptors. This ancient secret association of Black scientists, healers, and writers travels through time and has developed a complicated network of communication that combines Afrodiasporic concepts of space-time with principles from quantum physics.

Places function as ritual meeting points and “portals” that connect the past, present, and future—for example, the Hatfield House in Philadelphia, which was relocated to a different place. The film documents the filling of quantum time capsules and the associated rituals of burying and opening them as a group. The tools, maps, clocks, and codes preserved in the time capsules serve to pass on knowledge and disrupt colonized timelines with the goal of protecting Black communities and activating a continuous circulation of communication, warning, and healing.

Glossary Terms:
|Agential realism⟩ |Determinism⟩ |Intra-action⟩ |Matter⟩ |Objectivity⟩ |Observation⟩ |Potentiality⟩ |Quantum physics⟩ |Reality⟩


Black Quantum Futurism (BQF)
Works in Philadelphia

The collective BQF was founded in 2014 by Camae Ayewa and Rasheedah Phillips as an interdisciplinary creative practice. The texts, films, and performances draw on diverse sources such as quantum physics and Afrodiasporic cultural traditions. BQF uses the artistic manipulation of space and time to create speculative futures in a practice of world making.

Image courtesy Black Quantum Futurism, © Black Quantum Futurism

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Alice Bucknell
Small Void

2025

Small Void is a game for two players developed by Alice Bucknell in collaboration with theoretical physicists at CERN, the European Organization for Nuclear Research. Bucknell examined phenomena such as black holes and quantum entanglement and found inspiration for the design of its digital world in the lichen on the grounds of the research center. Because these fascinating dual beings of algae and fungi exist as many bodies in one, they call into question the idea of an individual identity.

The mechanics of the game are also about entanglement because progress in Small Void depends on the two players working together. As active parties connected by haptic vibrations, they can design the subsequent process together. Small Void is also conceived as a queer dating simulation—a “quantum love story”—to experience the frictions and expansions of identity and by means of connectedness gain access to the indeterminacy of the universe.

Glossary Terms:
|Agential realism⟩ |Black holes⟩ |Entanglement⟩ |Intra-action⟩ |Matter⟩ |Reality⟩ |Spooky action at a distance⟩


Alice Bucknell
Based in Los Angeles

At the intersection of game development and speculative fiction, Alice Bucknell’s practice as an artist and writer addresses themes from architecture, ecology, and magic as well as nonhuman and machine intelligence. Bucknell’s filmic universes and game worlds aim to explore the limits of scientific knowledge.

Image courtesy Alice Bucknell, © Alice Bucknell, developed through Collide, Arts at CERN's residency programme in collaboration with Copenhagen contemporary (2023-2025)

Alice Bucknell
Small Void

Alice Bucknell
Small Void

2025

Small Void is a game for two players developed by Alice Bucknell in collaboration with theoretical physicists at CERN, the European Organization for Nuclear Research. Bucknell examined phenomena such as black holes and quantum entanglement and found inspiration for the design of its digital world in the lichen on the grounds of the research center. Because these fascinating dual beings of algae and fungi exist as many bodies in one, they call into question the idea of an individual identity.

The mechanics of the game are also about entanglement because progress in Small Void depends on the two players working together. As active parties connected by haptic vibrations, they can design the subsequent process together. Small Void is also conceived as a queer dating simulation—a “quantum love story”—to experience the frictions and expansions of identity and by means of connectedness gain access to the indeterminacy of the universe.

Glossary Terms:
|Agential realism⟩ |Black holes⟩ |Entanglement⟩ |Intra-action⟩ |Matter⟩ |Reality⟩ |Spooky action at a distance⟩


Alice Bucknell
Based in Los Angeles

At the intersection of game development and speculative fiction, Alice Bucknell’s practice as an artist and writer addresses themes from architecture, ecology, and magic as well as nonhuman and machine intelligence. Bucknell’s filmic universes and game worlds aim to explore the limits of scientific knowledge.

Image courtesy Alice Bucknell, © Alice Bucknell, developed through Collide, Arts at CERN's residency programme in collaboration with Copenhagen contemporary (2023-2025)

↑ close

Libby Heaney
Q is for Climate (?)

2023

In Q is for Climate (?), Libby Heaney takes a critical look at the exploitative structures of fossil energy and our electrified present. Based on academic research and interviews, the installation contrasts images of polluted water, toxic clouds, and black sludge with lush forest landscapes. The destroyed environment symbolizes the consequences of lithium mining and is a warning that technology companies are increasingly responsible in the context of the progressing climate collapse. A tentacled creature roams through this scene and embodies both the “monstrosity of humankind” and nonhuman methods of perceiving and understanding the world.

The images and sound were produced by the artist using a quantum computer so that thirty-two videos coexist on top of one another. This gigantic superposition reveals alternatives to the destruction of the planet by humans and asks how quantum thinking can combine technology with caring.

Glossary Terms:
|Agential realism⟩ |Entanglement⟩ |Indeterminacy⟩ |Matter⟩ |Potentiality⟩ |Quantum⟩ |Quantum computer⟩ |Quantum physics⟩ |Quantum technologies⟩ |Reality⟩ |Superposition⟩


Libby Heaney
Based in London

As an artist from the working class with a PhD in quantum information science, Libby Heaney was one of the first artists to work with quantum computing as an artistic medium from 2019 onward. In her dreamlike aesthetic, she grapples with nonbinary concepts and the nonlinear temporalities of quantum physics, calling into question capitalism’s appropriation of technology.

Image courtesy Libby Heaney, © Libby Heaney

Libby Heaney
Q is for Climate (?)

Libby Heaney
Q is for Climate (?)

2023

In Q is for Climate (?), Libby Heaney takes a critical look at the exploitative structures of fossil energy and our electrified present. Based on academic research and interviews, the installation contrasts images of polluted water, toxic clouds, and black sludge with lush forest landscapes. The destroyed environment symbolizes the consequences of lithium mining and is a warning that technology companies are increasingly responsible in the context of the progressing climate collapse. A tentacled creature roams through this scene and embodies both the “monstrosity of humankind” and nonhuman methods of perceiving and understanding the world.

The images and sound were produced by the artist using a quantum computer so that thirty-two videos coexist on top of one another. This gigantic superposition reveals alternatives to the destruction of the planet by humans and asks how quantum thinking can combine technology with caring.

Glossary Terms:
|Agential realism⟩ |Entanglement⟩ |Indeterminacy⟩ |Matter⟩ |Potentiality⟩ |Quantum⟩ |Quantum computer⟩ |Quantum physics⟩ |Quantum technologies⟩ |Reality⟩ |Superposition⟩


Libby Heaney
Based in London

As an artist from the working class with a PhD in quantum information science, Libby Heaney was one of the first artists to work with quantum computing as an artistic medium from 2019 onward. In her dreamlike aesthetic, she grapples with nonbinary concepts and the nonlinear temporalities of quantum physics, calling into question capitalism’s appropriation of technology.

Image courtesy Libby Heaney, © Libby Heaney

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Natalie Paneng
𝓘𝓻𝓲𝓭𝓮𝓼𝓬𝓮𝓷𝓽 𝓟𝓱𝓲𝓵𝓸𝓼𝓸𝓹𝓱𝔂 𝓠𝓾𝓪𝓷𝓽𝓲𝓯𝔂𝓲𝓷𝓰 𝓢𝔂𝓼𝓽𝓮𝓶
2025

The complex multimedia installation ꧁✬◦°⋆⋆°◦. 𝓘𝓻𝓲𝓭𝓮𝓼𝓬𝓮𝓷𝓽 𝓟𝓱𝓲𝓵𝓸𝓼𝓸𝓹𝓱𝔂 𝓠𝓾𝓪𝓷𝓽𝓲𝓯𝔂𝓲𝓷𝓰 𝓢𝔂𝓼𝓽𝓮𝓶 ◦°⋆⋆°◦✬꧂ by Natalie Paneng is an invitation to playful searching, seeing, and perceiving—because the insights of quantum physics often evade our immediate imagination. Inspired by the process of observation, the artist clarifies in her work the thesis that the way we see things does not reveal everything: every observation is just one moment within a constantly transforming continuum. This complexity is made tangible by means of special visualizations.

In a way similar to the phenomenon of iridescent interference, in which light waves overlap and create stronger or weaker colors, the digitally generated texts and images here mix and constantly reform. The seemingly constant aspect in every pixel, in every letter and symbol, in every excerpt breaks down into an astonishment that remains.

Glossary Terms:
|Indeterminacy⟩ |Matter⟩ |Particle⟩ |Observation⟩ |Observer⟩ |Quantum physics⟩ |Quantum technologies⟩ |Reality⟩ |Schrödinger’s cat⟩ |Spooky action at a distance⟩ |Wave function⟩


Natalie Paneng
Based in Johannesburg

By combining “digital magic” and theater, transmedia artist Natalie Paneng creates surreal, performative narratives in which she appears herself. Her works provide access to inner dream worlds and digital spaces of the imagination.


Natalie Paneng, ꧁✬◦°⋆⋆°◦. 𝓘𝓻𝓲𝓭𝓮𝓼𝓬𝓮𝓷𝓽 𝓟𝓱𝓲𝓵𝓸𝓼𝓸𝓹𝓱𝔂 𝓠𝓾𝓪𝓷𝓽𝓲𝓯𝔂𝓲𝓷𝓰 𝓢𝔂𝓼𝓽𝓮𝓶 ◦°⋆⋆°◦✬꧂ , 2025 – supported by Studio Quantum, a project by Goethe-Institut Irland, photo: The Peripheral

Natalie Paneng
Iridescent Philosophy Quantifying System

Natalie Paneng
𝓘𝓻𝓲𝓭𝓮𝓼𝓬𝓮𝓷𝓽 𝓟𝓱𝓲𝓵𝓸𝓼𝓸𝓹𝓱𝔂 𝓠𝓾𝓪𝓷𝓽𝓲𝓯𝔂𝓲𝓷𝓰 𝓢𝔂𝓼𝓽𝓮𝓶
2025

The complex multimedia installation ꧁✬◦°⋆⋆°◦. 𝓘𝓻𝓲𝓭𝓮𝓼𝓬𝓮𝓷𝓽 𝓟𝓱𝓲𝓵𝓸𝓼𝓸𝓹𝓱𝔂 𝓠𝓾𝓪𝓷𝓽𝓲𝓯𝔂𝓲𝓷𝓰 𝓢𝔂𝓼𝓽𝓮𝓶 ◦°⋆⋆°◦✬꧂ by Natalie Paneng is an invitation to playful searching, seeing, and perceiving—because the insights of quantum physics often evade our immediate imagination. Inspired by the process of observation, the artist clarifies in her work the thesis that the way we see things does not reveal everything: every observation is just one moment within a constantly transforming continuum. This complexity is made tangible by means of special visualizations.

In a way similar to the phenomenon of iridescent interference, in which light waves overlap and create stronger or weaker colors, the digitally generated texts and images here mix and constantly reform. The seemingly constant aspect in every pixel, in every letter and symbol, in every excerpt breaks down into an astonishment that remains.

Glossary Terms:
|Indeterminacy⟩ |Matter⟩ |Particle⟩ |Observation⟩ |Observer⟩ |Quantum physics⟩ |Quantum technologies⟩ |Reality⟩ |Schrödinger’s cat⟩ |Spooky action at a distance⟩ |Wave function⟩


Natalie Paneng
Based in Johannesburg

By combining “digital magic” and theater, transmedia artist Natalie Paneng creates surreal, performative narratives in which she appears herself. Her works provide access to inner dream worlds and digital spaces of the imagination.


Natalie Paneng, ꧁✬◦°⋆⋆°◦. 𝓘𝓻𝓲𝓭𝓮𝓼𝓬𝓮𝓷𝓽 𝓟𝓱𝓲𝓵𝓸𝓼𝓸𝓹𝓱𝔂 𝓠𝓾𝓪𝓷𝓽𝓲𝓯𝔂𝓲𝓷𝓰 𝓢𝔂𝓼𝓽𝓮𝓶 ◦°⋆⋆°◦✬꧂ , 2025 – supported by Studio Quantum, a project by Goethe-Institut Irland, photo: The Peripheral

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Mike Rijnierse
Quantum Mirror

2024

With the object Quantum Mirror, Mike Rijnierse makes it clear that in quantum physics indeterminate possibilities exist simultaneously until an observation determines them. This principle is also demonstrated by the thought experiment Schrödinger’s cat—a paradox of physicist Erwin Schrödinger that the artist takes up here: two people position themselves around the two-sided mirror perforated in an algorithmic pattern. While one half shows the person’s own mirror image, the other is the face of the person on the opposite side, resulting in a visual entanglement of two identities.

The reflective surface makes it possible to experience that fleeting moment in which all of the possibilities exist at the same time—until looking causes the superposition to collapse, resulting in a single reality. With every movement, the fused mirror image changes—an intimate and yet alienating experience of the indeterminate, relational quality of quantum states.

Glossary Terms:
|Agential realism⟩ |Determinism⟩ |Entanglement⟩ |Free will⟩ |Indeterminacy⟩ |Intra-action⟩ |Observation⟩ |Observer⟩ |Objectivity⟩ |Quantum physics⟩ |Reality⟩ |Schrödinger’s cat⟩ |Superposition⟩

Mike Rijnierse
Based in The Hague

Artist, curator, and inventor Mike Rijnierse makes it possible to experience light and sound with the senses in architectonic settings by translating elementary phenomena into immersive works. The development of his installations, projects, and light designs is based on meticulous studies of the interaction of light, pigments, and the retina.

Image courtesy Mike Rijnierse, presented in collaboration with iii (instrument inventors initiave), © Bildrecht, Vienna 2025

Mike Rijnierse
Quantum Mirror

Mike Rijnierse
Quantum Mirror

2024

With the object Quantum Mirror, Mike Rijnierse makes it clear that in quantum physics indeterminate possibilities exist simultaneously until an observation determines them. This principle is also demonstrated by the thought experiment Schrödinger’s cat—a paradox of physicist Erwin Schrödinger that the artist takes up here: two people position themselves around the two-sided mirror perforated in an algorithmic pattern. While one half shows the person’s own mirror image, the other is the face of the person on the opposite side, resulting in a visual entanglement of two identities.

The reflective surface makes it possible to experience that fleeting moment in which all of the possibilities exist at the same time—until looking causes the superposition to collapse, resulting in a single reality. With every movement, the fused mirror image changes—an intimate and yet alienating experience of the indeterminate, relational quality of quantum states.

Glossary Terms:
|Agential realism⟩ |Determinism⟩ |Entanglement⟩ |Free will⟩ |Indeterminacy⟩ |Intra-action⟩ |Observation⟩ |Observer⟩ |Objectivity⟩ |Quantum physics⟩ |Reality⟩ |Schrödinger’s cat⟩ |Superposition⟩

Mike Rijnierse
Based in The Hague

Artist, curator, and inventor Mike Rijnierse makes it possible to experience light and sound with the senses in architectonic settings by translating elementary phenomena into immersive works. The development of his installations, projects, and light designs is based on meticulous studies of the interaction of light, pigments, and the retina.

Image courtesy Mike Rijnierse, presented in collaboration with iii (instrument inventors initiave), © Bildrecht, Vienna 2025

↑ close

The exhibition |indeterminate⟩⟨apparatus| is inspired by a wide range of thinkers and unfolds from an intricately entangled network of artists, scientists, activists, and companions. The Civa Library offers space for ideas and experiences articulated in words, weaving together science, poetry, and fiction. An invitation to immerse yourself and allow your observations to reverberate within the collective space.

Rasheedah Phillips, Dismantling the Master's Clock: On Race, Space, and Time, 2025

Rasheedah Phillips, Black Quantum Futurism. Theory & Practice Vol: II, 2021

Rasheedah Phillips, Black Quantum Futurism. Space-Time Collapse 1: From the Congo to the Carolinas, 2014

Rasheedah Phillips, Recurrence Plot: And Other Time Travel Tales, 2014

Karen Barad, “What Is the Measure of Nothingness? Infinity; Virtuality; Justice I / Was ist das Maß des Nichts? Unendlichkeit, Virtualität, Gerechtigkeit”, in: 100 Notes- 100 Thoughts I 100 Notizen - 100 Gedanken. N2099: Karen Barad. dOCUMENTA (13), Hatje Cantz Verlag, Ostfildern 2012

Karen Barad, Meeting the Universe halfway. Quantum Physics and the entanglement of matter and meaning, London 2007

Karen Barad, Verschränkungen, Berlin 2015

Black Quantum Futurism, Space-Time Collapse 1: From the Congo to the Carolinas, 2016

Libby Heaney, Quantum Soup / Quantensuppe, HEK (Haus der Elektronischen Künste) (Hg.), Hatje Cantz, Berlin 2024

Karen Barad, Agentieller Realismus. Über die Bedeutung materiell-diskursiver Praktiken. Berlin 2012

Robert Löw, Quanten. 100 Seiten, Reclam, Ditzingen 2024

Benjamín Labatut, Das blinde Licht. Irrfahrten der Wissenschaft, Suhrkamp, Berlin 2020

Sabine Hossenfelder, Mehr als nur Atome Was die Physik über die Welt und das Leben verrät, Siedler Verlag, München 2023

Andrew Reeves, Quantenphysik für Einsteiger Einführung in die Quantenmechanik – Von Schwarzen Löchern bis zur Theorie von Allem, Bad Hersfeld 2024

Carlo Rovelli, Sieben kurze Lektionen über Physik, Rowohlt Verlag, Reinbek bei Hamburg, 2015

Donna Haraway, Staying with the Trouble: Making Kin in the Chthulucene, Academic Press, 2016

Rosi Braidotti, Posthuman Knowledge, Polity Press, 2019

Rosi Braidotti, Posthuman Feminism, John Wiley & Sons Inc, 2021

Kate Crawford, Atlas of AI: Power, Politics, and the Planetary Costs of AI, Yale University Press, 2021

Reynaldo Anderson und Charles E. Jones, Afrofuturism 2.0: The Rise of Astro-Blackness. Lanham/London, 2015

Library

The exhibition |indeterminate⟩⟨apparatus| is inspired by a wide range of thinkers and unfolds from an intricately entangled network of artists, scientists, activists, and companions. The Civa Library offers space for ideas and experiences articulated in words, weaving together science, poetry, and fiction. An invitation to immerse yourself and allow your observations to reverberate within the collective space.

Rasheedah Phillips, Dismantling the Master's Clock: On Race, Space, and Time, 2025

Rasheedah Phillips, Black Quantum Futurism. Theory & Practice Vol: II, 2021

Rasheedah Phillips, Black Quantum Futurism. Space-Time Collapse 1: From the Congo to the Carolinas, 2014

Rasheedah Phillips, Recurrence Plot: And Other Time Travel Tales, 2014

Karen Barad, “What Is the Measure of Nothingness? Infinity; Virtuality; Justice I / Was ist das Maß des Nichts? Unendlichkeit, Virtualität, Gerechtigkeit”, in: 100 Notes- 100 Thoughts I 100 Notizen - 100 Gedanken. N2099: Karen Barad. dOCUMENTA (13), Hatje Cantz Verlag, Ostfildern 2012

Karen Barad, Meeting the Universe halfway. Quantum Physics and the entanglement of matter and meaning, London 2007

Karen Barad, Verschränkungen, Berlin 2015

Black Quantum Futurism, Space-Time Collapse 1: From the Congo to the Carolinas, 2016

Libby Heaney, Quantum Soup / Quantensuppe, HEK (Haus der Elektronischen Künste) (Hg.), Hatje Cantz, Berlin 2024

Karen Barad, Agentieller Realismus. Über die Bedeutung materiell-diskursiver Praktiken. Berlin 2012

Robert Löw, Quanten. 100 Seiten, Reclam, Ditzingen 2024

Benjamín Labatut, Das blinde Licht. Irrfahrten der Wissenschaft, Suhrkamp, Berlin 2020

Sabine Hossenfelder, Mehr als nur Atome Was die Physik über die Welt und das Leben verrät, Siedler Verlag, München 2023

Andrew Reeves, Quantenphysik für Einsteiger Einführung in die Quantenmechanik – Von Schwarzen Löchern bis zur Theorie von Allem, Bad Hersfeld 2024

Carlo Rovelli, Sieben kurze Lektionen über Physik, Rowohlt Verlag, Reinbek bei Hamburg, 2015

Donna Haraway, Staying with the Trouble: Making Kin in the Chthulucene, Academic Press, 2016

Rosi Braidotti, Posthuman Knowledge, Polity Press, 2019

Rosi Braidotti, Posthuman Feminism, John Wiley & Sons Inc, 2021

Kate Crawford, Atlas of AI: Power, Politics, and the Planetary Costs of AI, Yale University Press, 2021

Reynaldo Anderson und Charles E. Jones, Afrofuturism 2.0: The Rise of Astro-Blackness. Lanham/London, 2015

↑ close

Glossary
by Tanja Traxler

|Agential realism⟩
Quantum physics has fundamentally changed our understanding of reality. It offers no universally valid answers to basic questions about the essence of space, time, matter, or reality but rather opens different interpretive possibilities. The approach of agential realism proposed by Karen Barad assumes that reality is not independent of the practices that produce it. Matter and meaning are inseparably connected.

 

|Black holes⟩
According to Einstein’s general theory of relativity, space is not static and immutable but is rather bent by massive objects, with the curve being greater the larger the mass. When a mass is extremely concentrated in a very small space, a black hole may form. Its gravitation is so massive that nothing within a certain radius can escape it, not even light.

 

|Bra-ket notation⟩
The astonishing processes that occur in quantum systems often defy our everyday language but can be described very precisely with mathematics. Probably the most popular mathematical notation for quantum physics, created by Paul Dirac, is known as “bra-ket notation”: he used specific brackets to express the states of quantum systems and their relationships. The main elements are the ket vector, written |ψ⟩, and the dually conjugate vector bra ⟨φ|—that is to say, a mathematical object and a mathematical object associated with it.

 

|Determinism⟩
According to determinism, everything that happens is completely determined by past causes and therefore with sufficient knowledge could be predicted exactly. Because quantum physics predicts only static probabilities for events but can never forecast specific results of measurements with certainty, it contradicts strict determinism. Chance also plays a fundamental role in the spontaneous behavior of quantum systems. The fact that the observer influences states by measuring them is also incompatible with strict determinism.

 

|Entanglement⟩
Entanglement and superposition are considered the core of quantum physics. Two or more quantum objects in states of superposition are connected such that the state of each cannot be described independently of the others. A change in one part therefore leads to an immediate change in the state of the entangled partners—even across large distances. The basic idea came from Einstein and his colleagues, but Erwin Schrödinger coined the term Verschränkung (entanglement).

 

|Free will⟩
Once determinism is overturned, other questions arise, such as whether there is free will. Quantum physicists have long been preoccupied with this; John Conway and Simon Kochen made a famous foray in the direction of the free will of both experimenters and of elementary particles. There is no final answer yet to the question of whether free will exists—the processes of quantum physics in the brain remain a mystery today.

 

|Indeterminacy⟩
Although it may conflict with our intuition, the properties of quantum systems are indeterminate as long as they are not measured. This indeterminacy not only refers to what we know about quantum systems but also does not determine them in an objective sense.

 

|Intra-action⟩
Interactions play an important role in particle physics: naturally it is assumed when describing such interactions that the particles already exist before they interact with one another. The concept of intra-action that Karen Barad introduced, by contrast, emphasizes that the reality of particles or other entities is only determined when they enter into relationship.

 

|Matter⟩
Although matter is elementary and omnipresent, science has difficulties describing what exactly it is. In classical physics, matter was thought of as a substance—that is, everything material that possess mass and occupies space. According to modern physics, all material is composed of elementary particles, which are understood in turn as excited states of quantum fields that as fundamental entities distributed spatially in the universe describe not only matter and energy but also forces and interactions. For philosophers such as Karen Barad, it is central that matter is not passive but rather active and relational.

 

|Objectivity⟩
Is the moon there when no one is looking at it? Yes, one would argue from a traditional, classical perspective in which it makes sense to distinguish between subjective observation and objective reality. However, because observation is not a neutral process in quantum physics but is rather influenced by the state of the system measured, a classical understanding of objectivity is no longer tenable in light of quantum physics.

 

|Observation⟩
What exactly happens during observation is one of the great mysteries of quantum physics. Mathematical formalism offers us a precise description of quantum systems and makes it possible to predict probabilities. But what happens during observation, why one specific state is observed and not a different one, remains a mystery.

 

|Observer⟩
Unlike in classical physics, the observer plays a special role in quantum physics. While in classical physics one can assume that physical states actually exist independently of observation, that is no longer clear in quantum physics. The observer no longer stands outside uninvolved but instead contributes actively to the observation in question.

 

|Particle⟩
In classical physics, a particle was imagined as a solid sphere with a specific location. From the perspective of quantum physics, the description of a particle is considerably more complex. In quantum field theory, it is the quantized excited state of a field. Before it is measured, its location can be determined only by probabilities, and other properties of the particle can also be clearly determined only by measurement.

 

|Potentiality⟩
Because quantum physics operates with statistical probabilities and does not permit definitive predictions for single events, the possibility or potentiality remains the focus of quantum mechanical description: As long as a system is not measured, it develops in accordance with all its possibilities. Only when measured does it take on a specific state.

 

|Quantum⟩
The name quantum physics derives from Max Planck’s insight that energy is transmitted in quantized form—that is to say, in discrete packets. A quantum is therefore the smallest possible unit of any physical entity such as energy. Quantization sounds like a truly marginal idea. As it turns out, however, it results in astonishing consequences that are described in quantum physics.

 

|Quantum computer⟩
Unlike classical computers, which work with bits (0 or 1), quantum computers use qubits, which can be simultaneously 0, 1, or a superpositions of both states. The particular effects of quantum physics that make superposition and entanglement possible can solve more complex computing problems. Quantum computers do not work with a binary yes-no logic but can use nonbinary, multidimensional, quantum physical states.

 

|Quantum physics⟩
Along with the theory of relativity, quantum physics is one of two great theories of modern physics. It was developed from 1900 onward and is the umbrella term for all physical theories and concepts based on the principle of quantization. That includes quantum mechanics and quantum field theory as well as quantum information theory, which has diverse possibilities of application.

 

|Quantum technologies⟩
When the principles of quantum physics are applied to solve specific technical problems, one speaks of quantum technologies. A distinction is usually made between two generations: Lasers, transistors, and semiconductor elements are considered early quantum technologies, which is why traditional computers and smartphones are also considered quantum technologies. Nevertheless, they are not called quantum computers. The latter belong to a second generation of quantum technologies that make use of the specific effects of quantum physics such as superposition and entanglement.

 

|Reality⟩
Quantum physics makes the idea of an objective world that exists independently of observation seem dubious. Different interpretations of quantum physics offer different explanations for what is real. They range from relational ontology, in which the fundamental building blocks of reality are not things but rather relationships, to many-worlds theory, in which infinitely many universes exist in parallel.

 

|Schrödinger’s cat⟩
To show how absurd quantum physics is, Erwin Schrödinger came up with a thought experiment that applied quantum phenomena to a living creature: If a cat is placed in a box with a radioactive substance, its existence depends on the behavior of the radioactive atom. As long as the box remains closed, quantum physics permits statements about probability. The cat is therefore in a state of superposition of being dead and alive. Only opening the box permits a definitive statement.

 

|Spooky action at a distance⟩
Although he made an essential contribution to its development, Albert Einstein had all sorts of objections to quantum physics: First, he objected to chance seeming to play a fundamental role. In addition, he recognized that quantum systems can be correlated in a way that does not exist in classical systems. He dismissively called such entanglement “spooky actions at a distance.”

 

|Superposition⟩
The idea that a particle can be located in several places at once is one of the most fascinating and most astonishing insights of quantum physics. This principle is called superposition. According to quantum physics, a quantum object can be in several states simultaneously as long as it is not measured. Only when it is measured does a specific state result, and the state of superposition “collapses.”

|Wave function⟩
Wave function is the mathematical object with which a quantum state is described. It is usually represented by the Greek letter psi (ψ). Because wave function cannot be observed directly, opinions differ about whether it has a real meaning beyond its mathematical function and, if it does, what that might be. In any case, from the wave function one can determine the probability that a particle will be detected in a specific place when measured.

Glossary by Tanja Traxler

Glossary

Glossary
by Tanja Traxler

|Agential realism⟩
Quantum physics has fundamentally changed our understanding of reality. It offers no universally valid answers to basic questions about the essence of space, time, matter, or reality but rather opens different interpretive possibilities. The approach of agential realism proposed by Karen Barad assumes that reality is not independent of the practices that produce it. Matter and meaning are inseparably connected.

 

|Black holes⟩
According to Einstein’s general theory of relativity, space is not static and immutable but is rather bent by massive objects, with the curve being greater the larger the mass. When a mass is extremely concentrated in a very small space, a black hole may form. Its gravitation is so massive that nothing within a certain radius can escape it, not even light.

 

|Bra-ket notation⟩
The astonishing processes that occur in quantum systems often defy our everyday language but can be described very precisely with mathematics. Probably the most popular mathematical notation for quantum physics, created by Paul Dirac, is known as “bra-ket notation”: he used specific brackets to express the states of quantum systems and their relationships. The main elements are the ket vector, written |ψ⟩, and the dually conjugate vector bra ⟨φ|—that is to say, a mathematical object and a mathematical object associated with it.

 

|Determinism⟩
According to determinism, everything that happens is completely determined by past causes and therefore with sufficient knowledge could be predicted exactly. Because quantum physics predicts only static probabilities for events but can never forecast specific results of measurements with certainty, it contradicts strict determinism. Chance also plays a fundamental role in the spontaneous behavior of quantum systems. The fact that the observer influences states by measuring them is also incompatible with strict determinism.

 

|Entanglement⟩
Entanglement and superposition are considered the core of quantum physics. Two or more quantum objects in states of superposition are connected such that the state of each cannot be described independently of the others. A change in one part therefore leads to an immediate change in the state of the entangled partners—even across large distances. The basic idea came from Einstein and his colleagues, but Erwin Schrödinger coined the term Verschränkung (entanglement).

 

|Free will⟩
Once determinism is overturned, other questions arise, such as whether there is free will. Quantum physicists have long been preoccupied with this; John Conway and Simon Kochen made a famous foray in the direction of the free will of both experimenters and of elementary particles. There is no final answer yet to the question of whether free will exists—the processes of quantum physics in the brain remain a mystery today.

 

|Indeterminacy⟩
Although it may conflict with our intuition, the properties of quantum systems are indeterminate as long as they are not measured. This indeterminacy not only refers to what we know about quantum systems but also does not determine them in an objective sense.

 

|Intra-action⟩
Interactions play an important role in particle physics: naturally it is assumed when describing such interactions that the particles already exist before they interact with one another. The concept of intra-action that Karen Barad introduced, by contrast, emphasizes that the reality of particles or other entities is only determined when they enter into relationship.

 

|Matter⟩
Although matter is elementary and omnipresent, science has difficulties describing what exactly it is. In classical physics, matter was thought of as a substance—that is, everything material that possess mass and occupies space. According to modern physics, all material is composed of elementary particles, which are understood in turn as excited states of quantum fields that as fundamental entities distributed spatially in the universe describe not only matter and energy but also forces and interactions. For philosophers such as Karen Barad, it is central that matter is not passive but rather active and relational.

 

|Objectivity⟩
Is the moon there when no one is looking at it? Yes, one would argue from a traditional, classical perspective in which it makes sense to distinguish between subjective observation and objective reality. However, because observation is not a neutral process in quantum physics but is rather influenced by the state of the system measured, a classical understanding of objectivity is no longer tenable in light of quantum physics.

 

|Observation⟩
What exactly happens during observation is one of the great mysteries of quantum physics. Mathematical formalism offers us a precise description of quantum systems and makes it possible to predict probabilities. But what happens during observation, why one specific state is observed and not a different one, remains a mystery.

 

|Observer⟩
Unlike in classical physics, the observer plays a special role in quantum physics. While in classical physics one can assume that physical states actually exist independently of observation, that is no longer clear in quantum physics. The observer no longer stands outside uninvolved but instead contributes actively to the observation in question.

 

|Particle⟩
In classical physics, a particle was imagined as a solid sphere with a specific location. From the perspective of quantum physics, the description of a particle is considerably more complex. In quantum field theory, it is the quantized excited state of a field. Before it is measured, its location can be determined only by probabilities, and other properties of the particle can also be clearly determined only by measurement.

 

|Potentiality⟩
Because quantum physics operates with statistical probabilities and does not permit definitive predictions for single events, the possibility or potentiality remains the focus of quantum mechanical description: As long as a system is not measured, it develops in accordance with all its possibilities. Only when measured does it take on a specific state.

 

|Quantum⟩
The name quantum physics derives from Max Planck’s insight that energy is transmitted in quantized form—that is to say, in discrete packets. A quantum is therefore the smallest possible unit of any physical entity such as energy. Quantization sounds like a truly marginal idea. As it turns out, however, it results in astonishing consequences that are described in quantum physics.

 

|Quantum computer⟩
Unlike classical computers, which work with bits (0 or 1), quantum computers use qubits, which can be simultaneously 0, 1, or a superpositions of both states. The particular effects of quantum physics that make superposition and entanglement possible can solve more complex computing problems. Quantum computers do not work with a binary yes-no logic but can use nonbinary, multidimensional, quantum physical states.

 

|Quantum physics⟩
Along with the theory of relativity, quantum physics is one of two great theories of modern physics. It was developed from 1900 onward and is the umbrella term for all physical theories and concepts based on the principle of quantization. That includes quantum mechanics and quantum field theory as well as quantum information theory, which has diverse possibilities of application.

 

|Quantum technologies⟩
When the principles of quantum physics are applied to solve specific technical problems, one speaks of quantum technologies. A distinction is usually made between two generations: Lasers, transistors, and semiconductor elements are considered early quantum technologies, which is why traditional computers and smartphones are also considered quantum technologies. Nevertheless, they are not called quantum computers. The latter belong to a second generation of quantum technologies that make use of the specific effects of quantum physics such as superposition and entanglement.

 

|Reality⟩
Quantum physics makes the idea of an objective world that exists independently of observation seem dubious. Different interpretations of quantum physics offer different explanations for what is real. They range from relational ontology, in which the fundamental building blocks of reality are not things but rather relationships, to many-worlds theory, in which infinitely many universes exist in parallel.

 

|Schrödinger’s cat⟩
To show how absurd quantum physics is, Erwin Schrödinger came up with a thought experiment that applied quantum phenomena to a living creature: If a cat is placed in a box with a radioactive substance, its existence depends on the behavior of the radioactive atom. As long as the box remains closed, quantum physics permits statements about probability. The cat is therefore in a state of superposition of being dead and alive. Only opening the box permits a definitive statement.

 

|Spooky action at a distance⟩
Although he made an essential contribution to its development, Albert Einstein had all sorts of objections to quantum physics: First, he objected to chance seeming to play a fundamental role. In addition, he recognized that quantum systems can be correlated in a way that does not exist in classical systems. He dismissively called such entanglement “spooky actions at a distance.”

 

|Superposition⟩
The idea that a particle can be located in several places at once is one of the most fascinating and most astonishing insights of quantum physics. This principle is called superposition. According to quantum physics, a quantum object can be in several states simultaneously as long as it is not measured. Only when it is measured does a specific state result, and the state of superposition “collapses.”

|Wave function⟩
Wave function is the mathematical object with which a quantum state is described. It is usually represented by the Greek letter psi (ψ). Because wave function cannot be observed directly, opinions differ about whether it has a real meaning beyond its mathematical function and, if it does, what that might be. In any case, from the wave function one can determine the probability that a particle will be detected in a specific place when measured.

Glossary by Tanja Traxler

↑ close

September 23, 6pm–8pm September 23, 6pm–8pm Skill Sharing Workshop
VCC SKILL SHARING – AUDIOVISUAL PRACTICES
VCC – Vienna Club Commission
October 2, 10am–midnight October 2, 10am–midnight Screening Loop
|indeterminate⟩⟨apparatus| Short Film Loop
Co-curated by Ana Prendes (Arts at CERN) and Eva Fischer (Civa)
October 2, 12pm–1pm October 2, 12pm–1pm exhibition tour
|indeterminate⟩⟨apparatus| Ambassador’s Tour (EN)
Carla Richter und Laura Welzenbach
October 2, 2pm–4:30pm October 2, 2pm–4:30pm Live Podcast
PODCAST-STUDIO
Hosted by The Black Cube with Giulia Yoko Galbarini and Carlo Rizzo
October 2, 7pm October 2, 7pm opening
Civa Opening
Civa Opening
October 2, 7:30pm–12am October 2, 7:30pm–12am dj line
Civa Opening Party
Ayotheartist (Sounds of Blackness), PETRIK (Crazy Superdrive, Radio Superfly), Caillou (Civa)
October 3, 12pm–1pm October 3, 12pm–1pm exhibition tour
|indeterminate⟩⟨apparatus| Ambassador’s Tour (DE)
Carla Richter und Laura Welzenbach
October 3, 2pm–3:30pm October 3, 2pm–3:30pm Interactive discussion in a circle of perspectives
QUANTUM: Resonances of an Ecosystem
Claudia Reinprecht, Matthias Kettemann, Gláucia Murta, Margarete Jahrmann, Somya Rathee
October 3, 4pm–4:45pm October 3, 4pm–4:45pm Discoursive Screening
Four Fluctuations
Chino Moya
October 3, 5pm–6:15pm October 3, 5pm–6:15pm Panel
Building for Quantum: on quantum computing, technological infrastructures, and speculative artistic approaches
Ivona Brandic, Marina Otero Verzier, Manuel Correa, Eva Fischer, Ana Prendes
October 3, 6:45pm–8pm October 3, 6:45pm–8pm Panel
(Afro)Futurities and the Manipulation of Space-Time
Rasheedah Philipps, Nelly Yaa Pinkrah, Djamila Grandits
October 3, 8:30pm–9:30pm October 3, 8:30pm–9:30pm Live AV and Lecture Performance
THE SOUND OF ENTANGLEMENT
Clemens Wenger, Manu Mayr, Judith Schwarz, Enar de Dios Rodriguez, Philipp Haslinger, Benjamin Orthner
October 3, 10pm–10:45pm October 3, 10pm–10:45pm Audiovisual Performance
Always Neverywhere
Zanshin
October 4, 11am–2pm October 4, 11am–2pm Workshop
Decolonize Electronic Music: The Search of Repressed Possibilities
Seba Kayan
October 4, 12pm–1pm October 4, 12pm–1pm exhibition tour
|indeterminate⟩⟨apparatus| Curator’s Tour
Eva Fischer and Ana Prendes
October 4, 3:30pm–5pm October 4, 3:30pm–5pm A panel on perception, collaboration, and the thresholds of experience
Sensing the Unseen: Art, Science & the Perception of Invisible Realms
Patrick Emonts, Mike Rijnierse, Evelina Domnitch, Dmitry Gelfand, Natalie Paneng, Leon Lapa Pereira
October 4, 5:30pm–6pm October 4, 5:30pm–6pm Installative Performance
KOMOREBI
Matteo Marangoni, Dieter Vandoren
October 4, 7pm–8:15pm October 4, 7pm–8:15pm Panel
Quantum Witchcraft: Feminist Theory and the Ghosts of the Quantum Realm
Tanja Traxler, Martin Reinhardt
October 4, 8:30pm–9pm October 4, 8:30pm–9pm Live AV performance
Forced Field
Evelina Domnitch, Dmitry Gelfand
October 4, 9:30pm–10pm October 4, 9:30pm–10pm Live AV performance
ALL EYES ON
Sophia Bulgakova, Mark IJzerman
October 4, 10pm–midnight October 4, 10pm–midnight DJ
Seba Kayan
Seba Kayan
October 4, 10pm–4am October 4, 10pm–4am Closing Party
Civa Closing Party
Fingers of God, মm., SORA, ALTROY JEROME, Klimentina Li, Maximilian Prag
October 5, 3:30pm–5pm October 5, 3:30pm–5pm Panel and Screening
VISTA Opening Festival: Welcome to the Quantum World
Ana Prendes, Georgios Katsaros, Florian Aigner, Marina Otero Verzier, Manuel Correa
November 9, 3pm November 9, 3pm Catalogue Presentation and Tour
Catalogue Presentation and Tour
Eva Fischer, Manuel Radde und Philipp Doringer
November 28, 1pm–2:30pm November 28, 1pm–2:30pm Excursion
Excursion: Atominstitut of the Vienna University of Technology
Karin Poljanc
December 18, 6pm–7pm December 18, 6pm–7pm Discoursive Screening
Ein Quantensprung in der Zeitmessung
Thorsten Schumm, Miriam Hamann, Eva Fischer
December 18, 7:15pm–8:30pm December 18, 7:15pm–8:30pm Discoursive Screening
Brute Force
Felix Lenz, Ganaël Dumreicher, Dunia Sahir, Ivana Pilić
January 9, TBC January 9, TBC exhibition tour
|indeterminate⟩⟨apparatus| Curator's Tour with Eva Fischer
Eva Fischer
January 30, 1pm–2:30pm January 30, 1pm–2:30pm Excursion
Excursion: Atominstitut of the Vienna University of Technology
Karin Poljanc
Civa Opening

The fifth edition of the Civa Festival will be officially opened at 7:00 pm on October 2 by the Belvedere’s Director General Stella Rollig, joined by Festival Director Eva Fischer and Festival Co-Curator Ana Prendes. The opening ceremony will be followed by a DJ set, offering a chance to celebrate and dance. The |indeterminate⟩⟨apparatus| exhibition will be open for viewing from 11:00 am on opening day.

October 2, 7pm October 2, 7pm opening
Civa Opening
Civa Opening
October 2, 7:30pm–12am October 2, 7:30pm–12am dj line
Civa Opening Party
Ayotheartist (Sounds of Blackness), PETRIK (Crazy Superdrive, Radio Superfly), Caillou (Civa)
Exhibition

More than a century of research in quantum physics has made it clear that the universe cannot be fully predicted or completely understood. At the microscopic level, matter behaves according to principles that defy the logic of classical physics. Particles can exist in multiple states simultaneously and remain entangled with one another—even across light-years. Quantum research has unsettled the long-standing binary distinctions between subject and object, perception and matter, and self and other.

|indeterminate⟩⟨apparatus| brings together artistic approaches that conceive of indeterminacy as an aesthetic, political, and speculative realm. In close collaboration with scientists, artists engage with quantum ideas through poetic gestures, sensory and embodied experiences, and playful abstraction. In doing so, they draw attention to often-overlooked ecological and social implications of emerging quantum technologies.

Participating artists: Black Quantum Futurism (US), Alice Bucknell (US/UK), Libby Heaney (UK), Natalie Paneng (ZA), Mike Rijnierse (NL)

Curator: Eva Fischer
Assistant curator: Anna Ewa Dyrko
Co-curator and advisor: Ana Prendes (Arts at CERN) 

October 2, 12pm–1pm October 2, 12pm–1pm exhibition tour
|indeterminate⟩⟨apparatus| Ambassador’s Tour (EN)
Carla Richter und Laura Welzenbach
October 3, 12pm–1pm October 3, 12pm–1pm exhibition tour
|indeterminate⟩⟨apparatus| Ambassador’s Tour (DE)
Carla Richter und Laura Welzenbach
October 4, 12pm–1pm October 4, 12pm–1pm exhibition tour
|indeterminate⟩⟨apparatus| Curator’s Tour
Eva Fischer and Ana Prendes
November 9, 3pm November 9, 3pm Catalogue Presentation and Tour
Catalogue Presentation and Tour
Eva Fischer, Manuel Radde und Philipp Doringer
January 9, TBC January 9, TBC exhibition tour
|indeterminate⟩⟨apparatus| Curator's Tour with Eva Fischer
Eva Fischer
Discourse

The Civa Discourse Programme, presented by the Vienna Business Agency, spans the entire space of the festival. Participants are invited to engage in collaborative discussions and reflections on the festival’s theme, |indeterminate⟩⟨apparatus|. In discussions, dialogues, and workshops, Civa is carving out space for an in-depth exploration of the quantum world and bringing together artistic and scientific positions to help understand indeterminacy as an aesthetic, political, and speculative space.

On Saturday, in cooperation with Sonic Territories, Viennese musician Seba Kayan will hold an interactive workshop titled “Decolonize Electronic Music: The Search for Repressed Possibilities.”

October 2, 2pm–4:30pm October 2, 2pm–4:30pm Live Podcast
PODCAST-STUDIO
Hosted by The Black Cube with Giulia Yoko Galbarini and Carlo Rizzo
October 3, 6:45pm–8pm October 3, 6:45pm–8pm Panel
(Afro)Futurities and the Manipulation of Space-Time
Rasheedah Philipps, Nelly Yaa Pinkrah, Djamila Grandits
October 3, 5pm–6:15pm October 3, 5pm–6:15pm Panel
Building for Quantum: on quantum computing, technological infrastructures, and speculative artistic approaches
Ivona Brandic, Marina Otero Verzier, Manuel Correa, Eva Fischer, Ana Prendes
October 3, 2pm–3:30pm October 3, 2pm–3:30pm Interactive discussion in a circle of perspectives
QUANTUM: Resonances of an Ecosystem
Claudia Reinprecht, Matthias Kettemann, Gláucia Murta, Margarete Jahrmann, Somya Rathee
October 4, 11am–2pm October 4, 11am–2pm Workshop
Decolonize Electronic Music: The Search of Repressed Possibilities
Seba Kayan
October 4, 7pm–8:15pm October 4, 7pm–8:15pm Panel
Quantum Witchcraft: Feminist Theory and the Ghosts of the Quantum Realm
Tanja Traxler, Martin Reinhardt
October 4, 3:30pm–5pm October 4, 3:30pm–5pm A panel on perception, collaboration, and the thresholds of experience
Sensing the Unseen: Art, Science & the Perception of Invisible Realms
Patrick Emonts, Mike Rijnierse, Evelina Domnitch, Dmitry Gelfand, Natalie Paneng, Leon Lapa Pereira
December 18, 7:15pm–8:30pm December 18, 7:15pm–8:30pm Discoursive Screening
Brute Force
Felix Lenz, Ganaël Dumreicher, Dunia Sahir, Ivana Pilić
December 18, 6pm–7pm December 18, 6pm–7pm Discoursive Screening
Ein Quantensprung in der Zeitmessung
Thorsten Schumm, Miriam Hamann, Eva Fischer
Screenings

From Thursday to Saturday, along with discussions and lectures, film screenings will be taking place that are accompanied by dialogues and live performances.

On the opening day of the festival, October 2, both curators Ana Prendes and Eva Fischer will be screening a short film loop over two hours that combines international perspectives and will be continuously repeated until midnight. The works range from speculative fiction, experimental documentary, non-narrative abstraction, and video essay, exploring socio-technical concepts of quantum phenomenon and quantum technology.

On Friday, October 3, the artist Chino Moya will present his latest film, Four Fluctuations (2023–25), which combines science fiction and documentary film, followed by a conversation with the artist and curator Ana Prendes.

On Thursday, December 18—as a follow-up to the festival and in cooperation with the Austrian Science Fund (FWF)—Civa will be screening the film Ein Quantensprung in der Zeitmessung (A Quantum Leap in Time Measurement, in German) with physicist Thorsten Schumm. Festival Director Eva Fischer will speak with Thorsten Schumm about a groundbreaking advancement in time measurement at the Institute for Atomic and Subatomic Physics at the TU Vienna, the scientific framework, technological applications, and new perspectives on time.

In the second part of the evening, Felix Lenz, Ganaël Dumreicher, and Dunia Sahir will offer insights into the methods underlying their collaborative work on the essay film Brute Force (2025) in a diffractive dialogue moderated by Ivana Pilić. The open discussion will move along film fragments, spanning everything from Karen Barad’s agential realism to material explorations of extractivist technologies.

October 2, 10am–midnight October 2, 10am–midnight Screening Loop
|indeterminate⟩⟨apparatus| Short Film Loop
Co-curated by Ana Prendes (Arts at CERN) and Eva Fischer (Civa)
October 3, 4pm–4:45pm October 3, 4pm–4:45pm Discoursive Screening
Four Fluctuations
Chino Moya
December 18, 7:15pm–8:30pm December 18, 7:15pm–8:30pm Discoursive Screening
Brute Force
Felix Lenz, Ganaël Dumreicher, Dunia Sahir, Ivana Pilić
December 18, 6pm–7pm December 18, 6pm–7pm Discoursive Screening
Ein Quantensprung in der Zeitmessung
Thorsten Schumm, Miriam Hamann, Eva Fischer
Live

Following the discussions and films, Civa invites you to DJ sets and audiovisual live performances in the Blicke Cinema and the Belvedere 21 event space on every night of the festival.

After the festival was opened by DJs from the Civa and Superfly teams in cooperation with Radio Superfly, the live programme begins on the second day of the festival, October 3, with the live AV performance and performative lecture The Sound of Entanglement by the interdisciplinary team consisting of musicians Clemens Wenger, Judith Schwarz, and Manu Mayr, visualist Enar de Dios Rodriguez, and the two physicists Philipp Haslinger and Benjamin Orthner.

Concluding the evening, Viennese musician and AV artist Zahshin (depart.at) will be premiering his quantum performance Always Neverywhere.

The third day of the festival is devoted to the cooperation with instrument inventors initiative. The first interactive live performance, Komorebi, by Dutch artists Matteo Marangoni and Dieter Vandoren, takes us to the Belvedere 21 Sculpture Garden.

Finally, the two audiovisual live performances, Force Field by Evelina Domnitch and Dmitry Gelfand, and ALL EYES ON by Sophia Bulgakova and Mark IJzerman, will take place at the Blickle Cinema.

This year’s Civa Festival will conclude with a DJ set by musician and Civa workshop leader Seba Kayan, who will be playing in the Belvedere 21 lobby in cooperation with Sonic Territories. The evening continues with a closing party at Celeste, presented in collaboration with Unsafe+Sounds and A party called JACK.

October 2, 7:30pm–12am October 2, 7:30pm–12am dj line
Civa Opening Party
Ayotheartist (Sounds of Blackness), PETRIK (Crazy Superdrive, Radio Superfly), Caillou (Civa)
October 3, 10pm–10:45pm October 3, 10pm–10:45pm Audiovisual Performance
Always Neverywhere
Zanshin
October 3, 8:30pm–9:30pm October 3, 8:30pm–9:30pm Live AV and Lecture Performance
THE SOUND OF ENTANGLEMENT
Clemens Wenger, Manu Mayr, Judith Schwarz, Enar de Dios Rodriguez, Philipp Haslinger, Benjamin Orthner
October 4, 9:30pm–10pm October 4, 9:30pm–10pm Live AV performance
ALL EYES ON
Sophia Bulgakova, Mark IJzerman
October 4, 10pm–4am October 4, 10pm–4am Closing Party
Civa Closing Party
Fingers of God, মm., SORA, ALTROY JEROME, Klimentina Li, Maximilian Prag
October 4, 8:30pm–9pm October 4, 8:30pm–9pm Live AV performance
Forced Field
Evelina Domnitch, Dmitry Gelfand
October 4, 5:30pm–6pm October 4, 5:30pm–6pm Installative Performance
KOMOREBI
Matteo Marangoni, Dieter Vandoren
October 4, 10pm–midnight October 4, 10pm–midnight DJ
Seba Kayan
Seba Kayan
Tours

The “Civa Ambassador Groups” lie at the heart of the |indeterminate⟩⟨apparatus| exhibition’s mediation. Representatives of different professions and fields serve as ambassadors, guiding visitors through the exhibition from their personal perspectives. The format builds on experiences from the festival’s previous iterations and creates space for ambassadors and communities to experience the festival according to their specific themes and interests. First come, first served.

October 2, 12pm–1pm October 2, 12pm–1pm exhibition tour
|indeterminate⟩⟨apparatus| Ambassador’s Tour (EN)
Carla Richter und Laura Welzenbach
October 3, 12pm–1pm October 3, 12pm–1pm exhibition tour
|indeterminate⟩⟨apparatus| Ambassador’s Tour (DE)
Carla Richter und Laura Welzenbach
October 4, 12pm–1pm October 4, 12pm–1pm exhibition tour
|indeterminate⟩⟨apparatus| Curator’s Tour
Eva Fischer and Ana Prendes
November 9, 3pm November 9, 3pm Catalogue Presentation and Tour
Catalogue Presentation and Tour
Eva Fischer, Manuel Radde und Philipp Doringer
November 28, 1pm–2:30pm November 28, 1pm–2:30pm Excursion
Excursion: Atominstitut of the Vienna University of Technology
Karin Poljanc
January 9, TBC January 9, TBC exhibition tour
|indeterminate⟩⟨apparatus| Curator's Tour with Eva Fischer
Eva Fischer
|indeterminate⟩⟨apparatus| Short Film Loop
Co-curated by Ana Prendes (Arts at CERN) and Eva Fischer (Civa)

Looping until midnight, this two-hour programme explores how a quantum worldview manifests through moving image. Spanning speculative fiction, experimental documentary, non-narrative abstraction, and video essays, the works examine the sociotechnical imaginaries surrounding quantum phenomena and technologies.

The films traverse theoretical fictions entangled with mysticism and competing interpretations of quantum, the geopolitics of scientific infrastructures, and internet culture’s embrace of ‘quantum woo’. As we have been trained to process the world through classical frameworks, the programme invites us to ask what images, forms of language, and modes of sensing are needed to approach realities that unfold through our interaction with it.


Jordan Belson (US), Allures, 1961, 07:17 min.

Allures reaches toward the cosmic and the spiritual, where space itself becomes transcendental. Spirals and circles glide across alternating fields of dark and light; orbs shift colour in flash frames; dots suggest atoms or distant galaxies streaked by shooting stars and sudden sunbursts. An electronic soundtrack binds these shifting forms into a hypnotic experience that conjures both molecular structures and astronomical events. Belson described the film as a passage ‘from matter to spirit,’ a trajectory that moves beyond outer space into an inner, subjective realm of perception – all unfolding simultaneously.

S()fia Braga (BR), Third Impact, 2025, 4:11 min.

Third Impact is an AI-generated movie that explores the future of human and non-human collaboration. The film centres around a quantum computer whose goal is to prevent the extinction of organic life on Earth, as the planet’s temperatures continue to rise and extreme weather events intensify, while biodiversity is disrupted through threatened ecosystems. As this very sophisticated computational machine carries out its mission, an unknown event occurs, resulting in the disappearance of all remaining forms of organic life on the planet. This event prompts the quantum machine to question its own existence and purpose, leading to an emotional journey of self-discovery from the machine's perspective.
Meanwhile, remnants of an obscure transhumanist initiative linger in the shadows of its code. What unfolds is an odyssey of rebirth, identity, and transformation, as the machine struggles with a newfound awareness that defies its original design.

Tania Candiani (MX), HUM, 2025, 09:46 min.

HUM explores the universal language of the trumpet shape: a form resonating through nature, culture, and the cosmos. Blending visual and auditory layers, it traces connections from sinkholes and black holes to ancient instruments and conceptual thought, from alpine alphorns to experiments at CERN. Through intricate soundscapes and imagery, it examines how this geometry amplifies the connections between the human, the natural, and the infinite, inviting viewers to uncover the unseen threads interweaving our world. The film is commissioned by Arts at CERN.

Evelina Domnitch & Dmitry Gelfand (RU), Time Synthesizer, 2020, 3 min.

At the very end of his life quantum pioneer Werner Heisenberg asked the question: why turbulence? The subtle transition from smooth to turbulent flow remains among nature's most impenetrable riddles. In Time Synthesizer, accumulative strata of microscopic hydrogen bubbles trace emerging turbulences along a flowing surface of water. Seeded in rapid succession by an electrode wire, the bubbles form time lines that vividly reveal a gamut of surface velocities across the entirety of the flow field. The bubbles are illuminated by a multi-coloured laser sheet, transforming them into prismatic lenses that expand the viewer's depth perception. 

Chino Moya (ES), Four Fluctuations, 2023-2025, 11:05 min.

Fusing science fiction and documentary, Four Fluctuations chronicles a potential future history of humanity. A strangely familiar narrator guides us through four speculative chapters: the liberation from labour through artificial intelligence; the emergence of a post-corporeal reality structured by leisure; the digital extinction of humanity and its reconstruction by a synthetic entity, and the eventual convergence of humans, other-than-human life forms, and machines into a shared cognitive assemblage. Each chapter is generated through sucessive iterations of a single AI-image system trained by the artist, exposing the rapid evolution of synthetic image-making and the intertwined creative interventions, biases, and data that shape it.

Blanca Pujals (ES), Quantum Sensing Infrastructures. Deep Underground Architectures for Spectral Matter, (2016-2025), 9:27 min

The long-running project A Synthetic Universe (2016 –) examines the geopolitics and complex implications of soft power within the field of fundamental science, what is often referred to as ‘science for peace’, through the transnational political treaties and the material infrastructures of the network of deep underground laboratories developed across the globe for the exploration of fundamental physics; more specifically CERN (European Organisation for Nuclear Research), the Canfranc Underground Laboratory (LSC), and scientific bases in Antarctica. These intricate sites constitute what the project calls ‘sensing infrastructures’, as they amplify new political and material interactions, offering a multiscalar, entangled organism of scientists, particles, liquids, data, politics, and technologies.
Largely invisible, these techno-fossil architectures extend territorial governance, energy dependency and the logics of soft power and “science for peace” into deep underground realms, often in remote and contested lands.

Riar Rizaldi (ID), Mirage: Eigenstate, 2024, 30:01 min.

Mirage: Eigenstate weaves together analogous investigations into the nature of reality, positioning Western science as just one methodology among many in a constellation of pluralistic worldviews. The film explores diverse interpretations of reality – from tropical Sufi mysticism and monorealism to theories of quantum mechanics. Edited in the style of American astronomer and planetary scientist Carl Sagan’s 1980s television series Cosmos, which sought to explain the origin of life and the fourth spatial dimension, Mirage: Eigenstate draws on the tradition of scientific mass communication, where complex concepts are made accessible through straightforward explanations, often accompanied by imagery.

Marina Otero Verzier & Manuel Correa (ES, CO), Building for Quantum, 23:31 min.

The film Building for Quantum follows the construction of the building that will host one of the few quantum computers in the world, the first in Spain. As quantum computing redefines the boundaries of knowledge, this film examines the imaginaries and aspirations surrounding the arrival of this technology at the Quantum Basque Centre in Donostia-San Sebastián. The film navigates the intersection of the physical and the philosophical within quantum architecture—juxtaposing the tangible, ordinary materials of brick and mortar with the meticulous precision required to sustain near-perfect vacuum chambers at temperatures colder than deep space.

Günseli Yalcinkaya (TR), Quantum Culture, 2025, c. 20 min.

QULTURE is a video essay that explores what an emergent quantum culture might look like through the various ways that quantum theory and its technological applications have been absorbed into pop culture, through New Age aesthetics, hype-driven news cycles, and military infrastructures. The film is commissioned by MOTH Quantum with an original score by Athens-based artist Evita Manji.

Luis Enrique Zela-Koort (PE), Diferencia Absoluta, El Uno, 2023, 06:34 min.

The film explores Difference as a fundamental force of the universe. Clay, still-life animations, live video-mapping, and psychedelic textures create a layered collage that adapts a text by trans philosopher Emilié Carriere and draws on pre-Socratic thought. In a theatrical setting, two narrative forces explore identity and thought beyond binary structures. Framing Difference as a precondition of existence, the work turns performativity, storytelling, and identity into tools for remaking reality. Beyond modernity’s view of Difference as violence, the work affirms it as an eternal, fundamental principle.

Still Mirage: Eigenstate © Riar Rizaldi

|indeterminate⟩⟨apparatus| Ambassador’s Tour (EN)
Carla Richter und Laura Welzenbach

Join Carla Richter (Quantum physicist) and Laura Welzenbach (artXscience producer) for a conversational tour through the exhibition |indeterminate⟩⟨apparatus|. We will navigate through the known and unknown of Quantum and the artist's entangled positions on the topic. In a shared conversation, we will explore onto which new perspectives the multilayered nature of the works can be projected when viewed from our two opposing angles – or whether their truth lies precisely in the fact that their meanings, like in a superposition, exist side by side.

Language: English

PODCAST-STUDIO
Hosted by The Black Cube with Giulia Yoko Galbarini and Carlo Rizzo

As Civa’s media partner, The Black Cube enters the festival as both witness and amplifier, turning live conversations into legacy-shaping dialogues. Within a dedicated media space, the editorial team will host and record discussions with artists, curators, and scientists — tracing threads between art, society, and the imaginative architectures of quantum thinking. Focused on method, process, and the technologies that shape us, The Black Cube will weave these conversations into a living editorial project. The journey will culminate in a special co-edited collection of Dialogues at the Intersection of Quantum & Cinema. You are warmly invited to join the conversation.

The Black Cube is a new editorial platform that explores how moving images are conceived, produced, and experienced — through the lens of technology. It brings together extraordinary artists and industry voices to expand the conversation around the rapidly evolving audiovisual landscape.

Civa Opening
Civa Opening

The fifth edition of the Civa Festival will be officially opened at 7:00 pm on October 2 by the Belvedere’s Director General Stella Rollig, joined by Festival Director Eva Fischer and Festival Co-Curator Ana Prendes. The opening ceremony will be followed by a DJ set, offering a chance to celebrate and dance. The |indeterminate⟩⟨apparatus| exhibition will be open for viewing from 11:00 am on opening day.


Speakers:

Stella Rollig, Belvedere General Director
Eva Fischer, Festival director and curator
Ana Prendes (Arts at CERN), Co-curator and advisor
Artists in the exhibition: Natalie Paneng (Studio Quantum & Goethe-Institut Irland), Mike Rijnierse (iii – instrument inventors initiative), Alice Bucknell (Arts at CERN) (tbc)

Civa Opening Party
Ayotheartist (Sounds of Blackness), PETRIK (Crazy Superdrive, Radio Superfly), Caillou (Civa)

Presented by Radio Superfly

Following the opening speeches, a DJ set will offer a chance to celebrate and dance.

Timetable:

19:30–21:00 Ayotheartist (Sounds of Blackness)
21:00–22:30 PETRIK (Crazy Superdrive, Radio Superfly)
22:30–00:00 Caillou (Civa)

|indeterminate⟩⟨apparatus| Ambassador’s Tour (DE)
Carla Richter und Laura Welzenbach

Join Carla Richter (Quantum physicist) and Laura Welzenbach (artXscience producer) for a conversational tour through the exhibition |indeterminate⟩⟨apparatus|. We will navigate through the known and unknown of Quantum and the artist's entangled positions on the topic. In a shared conversation, we will explore onto which new perspectives the multilayered nature of the works can be projected when viewed from our two opposing angles – or whether their truth lies precisely in the fact that their meanings, like in a superposition, exist side by side.

Language: German

QUANTUM: Resonances of an Ecosystem
Claudia Reinprecht, Matthias Kettemann, Gláucia Murta, Margarete Jahrmann, Somya Rathee

The ecosystem of quantum technologies is multifaceted, dynamic, and full of unanswered questions. This interactive format brings together six voices from science, industry, diplomacy, ethics, art, and society. In an open circle, the participants will share key concepts from their everyday practice. What does the word “quantum” mean to them? What hopes, risks, and narratives do they associate it with?

These concepts lead to a moderated discussion about ambiguity, questions of power, and scope for action.

Speakers:
Claudia Reinprecht (BMEIA – Austria’s Federal Ministry European and International Affairs)
Matthias Kettemann (University of Innsbruck (Department of Legal Theory and the Future of Law)
Gláucia Murta (Atominstitut, TU Wien)
Margarete Jahrmann (University of Applied Arts Vienna (Experimental Game Cultures)
Somya Rathee (Quantum Society Austria)

Four Fluctuations
Chino Moya

Chino Moya premieres his latest film Four Fluctuations (2023–2025), followed by a conversation between the artist and curator Ana Prendes.

Fusing science fiction and documentary, Four Fluctuations chronicles a potential future history of humanity. A strangely familiar narrator guides us through four speculative ruptures, each created through advancing iterations of a single generative image system: the liberation from labour through artificial intelligence; the emergence of a post-corporeal reality structured by leisure; the digital extinction of humanity and its reconstruction by a synthetic entity, and the eventual convergence of humans, other-than-humans life forms, and machines into a shared cognitive assemblage.

The conversation will explore the convergence of science fiction and critical theory, the role of generative AI in filmmaking and visual culture, and our place in a future shared with machinic and nonhuman cognitive forms.

Speaker(s):
Chino Moya
Curated and moderated by Ana Prendes (Arts at CERN)

Image: Four Fluctuations still © Chino Moya

Building for Quantum: on quantum computing, technological infrastructures, and speculative artistic approaches
Ivona Brandic, Marina Otero Verzier, Manuel Correa, Eva Fischer, Ana Prendes

Quantum computing emerges as a scientific revolution, an architectural challenge, and a speculative imaginary. In this conversation, scientist and professor for High Performance Computing Systems at TU Wien Ivona Brandic, will join architect and researcher Marina Otero and artist and filmmaker Manuel Correa, moderated by curator Ana Prendes. It centres on Building for Quantum (2025), a film by Otero and Correa that follows the construction, conceptions, and aspirations of Spain’s first quantum computing facility at the Quantum Basque Centre.

With billion-euro investments and uncertain implementation timelines, the stakes extend beyond science: from the material, energy labour demands of shielding fragile qubits to the need for artistic and critical tools to engage with quantum reality. Speakers will explore the philosophical, physical, and speculative dimensions of quantum architecture and theory.


Speakers:
Brief introduction by Eva Fischer
Ivona Brandic iin conversation with Marina Otero Verzier and Manuel Correa
Moderator: Ana Prendes (Arts at CERN)

Image: Building for Quantum, videoinstallation by Manuel Correa, Marina Otero Verzier, Manu Sancho and Emil Olsen at the main exhibition of INTELLIGENS – The 19th International Architecture Exhibition, La Biennale di Venezia, 2025, Arsenale, Venice. Photo: José Hevia.

(Afro)Futurities and the Manipulation of Space-Time
Rasheedah Philipps, Nelly Yaa Pinkrah, Djamila Grandits

What does it mean to think about time in a non-linear way? How can space be manipulated to imagine and shape alternative futures? In this panel discussion, the multidisciplinary artist, author, activist, and lawyer Rasheedah Phillips (Black Quantum Futurism), Nelly Y. Pinkrah, whose work engages in multimodal practices across Black Studies, media & technology, and political practice and Djamila Grandits who works as a curator caring for moving image practices, entanglements and collective approaches will talk about Afrofuturism, temporal politics, and speculative technologies. Drawing on projects such as Write No History by Black Quantum Futurism, which use “quantum time capsules” as temporal technologies in defiance of colonized timelines, they will discuss forms of resistance, memory, and care in the interplay of past, present, and future.

Speakers:
Rasheedah Philipps (Black Quantum Futurism)
Nelly Yaa Pinkrah (TU Dresden)
Moderator: Djamila Grandits (CineCollective, D—Arts)

THE SOUND OF ENTANGLEMENT
Clemens Wenger, Manu Mayr, Judith Schwarz, Enar de Dios Rodriguez, Philipp Haslinger, Benjamin Orthner

THE SOUND OF ENTANGLEMENT combines quantum physics, music, and art into a live performance. On stage, an actual experimental setup with lasers, mirrors, and crystals will generate entangled pairs of photons. The data from the measurements drives the music and live visuals, which are translated into musical notation and synthetic sounds that the musicians will immediately respond to. This creates a unique interplay of quantum physics experiment, music, and performance art. Before the performance, a brief introduction will explain the phenomenon of entanglement and provide insights into the experimental method.

Artists and Scientists

Composition: Clemens Wenger
Music: Manu Mayr, Judith Schwarz und Clemens Wenger
Visuals: Enar de Dios Rodriguez
Scientific Concept: Philipp Haslinger und Benjamin Orthner

Image: Sound of Entanglement © Weitblick Film

Always Neverywhere
Zanshin

This audiovisual performance is a meditation on quantum mechanics, where wave function collapses unfold through real-time 3D graphics, sound, and poetry.  Inspired by Ted Chiang’s Story of Your Life, and the heptapods’ nonlinear language, the piece explores a world where time is fluid and outcomes exist in superposition.  Is the moment unfolding by design or chance? Is the performer following a script, or responding in real time? This tension—between control and uncertainty—mirrors the quantum paradox.
Patterns emerge as sound makes matter visible, echoing the delicate geometries of Chladni plates—a visual metaphor for the unseen forces that shape us. Here, everything is a performance, where meaning arises all at once, not step by step.

Zanshin is the solo project of Vienna-based producer, composer, and sound/audiovisual artist Gregor Ladenhauf. Blending experimental electronics with club-informed rhythms, his work spans bass music, ambient, techno, and beyond. Known for detailed sound design and conceptual depth, Zanshin creates artworks that are both cerebral and physical—balancing structure with spontaneity. His name, a Zen term, reflects focused awareness—a fitting metaphor for his sonic approach.

Image: Always Neverywhere Still © Zanshin

Decolonize Electronic Music: The Search of Repressed Possibilities
Seba Kayan

"In contrast to the alluring facade of modernization, contemporary music production tools harbor numerous shortcomings that often go unnoticed. In my Workshop „Decolonize electronics Music“ I want to underscore the importance of recognizing and embracing cultural diversity, diverse ideas, methodologies and sonic expressions advocation for a celebration of differences across musical traditions.
Electronic producers worldwide, including myself are constrained by a limited selection of production tools. Mainstream digital audio workstations such as Ableton, FL Studios, Logic and Cubase were designed with a Wester-centric approach, rooted in the principles of European classical music. This design presents challenges for artists seeking to incorporate elements from African, Asian, Arabic or Latin American music traditions, forcing them to navigate software limitations and resort to intricate workarounds. In this Workshop we want to push the boundaries of sonic experimentation, by demonstrating the transformative power of embracing diversity and challenging colonial legacies in music production. By collaborations, cultural exchanges with producers and musicians I want to create a more inclusive and authentic musical landscape, showing an alternative landscape of the electronic music industry. The representation of non- European in the European music industry distract from the more important questions of how we ended up in a world in which European “classical music” and its imposed melodic phrases has become a global cultural enterprise in the first place."

Seba Kayan, is a Viennese DJ, Artist, Music Producer and Lecturer transforming the music landscape with an unparalleled fusion of sound and culture. Growing up between two worlds and musical influences, Seba decided to combine both her European and Kurdish roots in her unique sound. Her signature blend includes Oriental futuristic electro, techno, and Acid, expertly weaving the unmistakable sound of the so called "Oriental" Music into techno frameworks.

APPLICATION:
Participation only possible with prior online registration until September 22nd. Please register
here.

Image: Decolonize Electronic Music Workshop © Mario Nägele

|indeterminate⟩⟨apparatus| Curator’s Tour
Eva Fischer and Ana Prendes

Festival Director and Curator Eva Fischer and Co-Curator and quantum expert Ana Prendes from Arts at CERN and Science Gallery will engage in a dialogue as they move through the |indeterminate⟩⟨apparatus| exhibition.

With Eva Fischer and Ana Prendes.

Sensing the Unseen: Art, Science & the Perception of Invisible Realms
Patrick Emonts, Mike Rijnierse, Evelina Domnitch, Dmitry Gelfand, Natalie Paneng, Leon Lapa Pereira

In a world increasingly mediated by technology and abstract systems, the boundaries of what we can see, hear, and feel are constantly shifting. From microscopic biological processes to quantum phenomena, much of what defines our reality exists beyond the limits of human perception. But what if we could make the invisible visible—or at least sensible?

This panel brings together a unique constellation of voices from the worlds of art, science, and speculative design to explore how new forms of perception are emerging at the intersection of disciplines. Together, the speakers will delve into how we can sense and interpret the invisible, the inaudible, and the intangible—be it through the precision of optical instruments, the resonance of sound, or the poetics of immersive digital environments.

Physicist Patrick Emonts (Zeiss Institut) offers insight into the frontier of optics and imaging technologies—tools that allow scientists to reveal hidden structures at the nano- and microscopic scale. His perspective sets the stage for a conversation on the technological thresholds of visibility, and what remains just out of reach.

From the artist collective iii (instrument inventors initiative), Mike Rijnierse and the duo Evelina Domnitch & Dmitry Gelfand present projects that challenge the sensory boundaries of space, matter, and time. Rijnierse’s sonic and spatial environments sculpt auditory or visual experiences into spatial phenomena, while Domnitch & Gelfand create installations that fuse fluid dynamics, laser light, and quantum effects—offering meditative encounters with scientific processes that normally escape the senses.

Natalie Paneng (Studio Quantum & Goethe-Institut Irland) adds a narrative and cultural dimension, using humor, digital media, and Afrofuturist aesthetics to create speculative spaces that question whose stories and perceptions dominate technological futures. Her work invites us to reflect on the sociopolitical dimensions of visibility, access, and imagination.

Moderated by Leon Lapa Pereira (iii), the conversation will flow across disciplines, technologies, and aesthetic approaches. The aim is not to resolve the mysteries of perception, but to explore them together—blurring the lines between what is known and what is felt, what is measured and what is imagined.

Through brief presentations and a shared dialogue, the panel will address key questions: How do tools and technologies shape what we are able to perceive? What role can art play in expanding our sensory vocabularies? How can interdisciplinary collaboration open new doors to understanding the world around (and within) us? And ultimately, what are the cultural, philosophical, and emotional implications of unveiling the unseen?

This panel is an invitation to slow down, tune in, and rethink the ways we experience and interpret the world—both visible and invisible.

Speakers:

Patrick Emonts (Ulm University, Institute for Complex Quantum Systems)
Mike Rijnierse (iii – instrument inventors initiative)
Evelina Domnitch & Dmitry Gelfand (iii – instrument inventors initiative)
Natalie Paneng (Studio Quantum & Goethe-Institut Irland)
Moderation: Leon Lapa Pereira (iii – instrument inventors initiative)

KOMOREBI
Matteo Marangoni, Dieter Vandoren

Komorebi is a swarm of artificial creatures that make music in response to the sun, the clouds and the shadows of trees moving in the wind. Komorebi is a Japanese word meaning “sunlight shining through trees”. We are invited to experience the shadow play produced by the tree canopy on the forest floor as music. The work suggests that “life” is not an exceptional property of organic life forms, but also a property of complex systems reaching beyond biological life as we understand it.

The project responds to the question: how can we create spatial electronic music which blends with the natural environment and  which helps us to become attuned with the changes that are constantly occurring in nature?

Emergent systems have been widely explored within digital artworks that are created in virtual environments and which are experienced through screen and/or speaker interfaces. Komorebi is a swarm that uses computation to exist fluidly within complex spatial settings. Each physical agent runs the programme independently on a different processor. Information between agents is shared exclusively through physical signals which are filtered by the intervening space between them. From the perspective of audience experience, by embodying the system in a physical swarm, the artwork has a presence within the same space occupied by the human body, achieving a degree of perceptual “spatial definition” that is unprecedented in other electronic media, where space is purely simulated.

Artists:
Matteo Marangoni & Dieter Vandoren (iii – instrument inventors initiative)

Credits:
Komorebi is developed with the assistance of Daan Johan (PCB design), Riccardo Marogna (DSP programming), Caspar Krijgsman (OTA programming), Mihalis Shammas and Nicolò Merendino (body design), Rafaele Andrade (3D printing prototypes), Luuk Meints and Ionela Pop (horn casting), Willem Werkplaats (CNC milling), Francesco Di Maggio, Tingyi Jiang, Maria Oosterveen and Siavash Jafari (assembly).
Komorebi was commissioned by Into the Great Wide Open and produced in partnership with Crossing Parallels (TU Delft) and Highlight Delft and with the financial support of the Creative Industries Fund NL and Stichting Stokroos.
courtesy the artists and iii (instrument inventors initiative)

(The installation is open to visitors in the Skulpturgarten from 12pm–7pm.)

Image © Matteo Marangoni, Dieter Vandoren

Quantum Witchcraft: Feminist Theory and the Ghosts of the Quantum Realm
Tanja Traxler, Martin Reinhardt

This discussion conjures the strange, ghostly presences of quantum physics—entangled particles, vacuum fluctuations, and nonlocal influences—through a feminist lens. Drawing on the work of physicists and philosophers Karen Barad, it examines how concepts like intra-action, diffraction, and material-discursivity can unsettle dominant scientific ontologies.

Speakers:
Tanja Traxler and Martin Reinhart (Angewandte Arts&Science)

Forced Field
Evelina Domnitch, Dmitry Gelfand

During the Spacelab era, JPL (Jet Propulsion Laboratory) researchers pioneered acoustic levitation techniques for trapping and rotating liquid samples in microgravity. In recent decades the selfsame methods have been implemented for contactless manipulation on Earth.

In Force Field, acoustically levitated water droplets resonate, vaporize and reassemble into spheroids, toroids and oscillating polygons while spinning nearly devoid of shear. The performance simultaneously taps into the 3-dimensionality of sound, the elusive physicality of water, as well as the rotational dynamics of celestial and subatomic bodies.

Artists:
Evelina Domnitch & Dmitry Gelfand (iii – instrument inventors initiative)

Image © Evelina Domnitch, Dmitry Gelfand

ALL EYES ON
Sophia Bulgakova, Mark IJzerman

ALL EYES ON is an embodied audiovisual performance by Sophia Bulgakova & Mark IJzerman. In the performance, light is projected directly onto the audience, submerging and guiding everyone present through a vast universe of colours, patterns and sounds. The collective experience asks the audience members to surrender to the new light and sound spaces in which the audience is placed in an ‘analogue virtual reality’.

The performance is an experiment in the collective consciousness, in which the audience is invited to experience themselves as an interconnected whole. ALL EYES ON is an exploration of the potential of light and sound to create new experiences of self and others.

The first version of the piece under the title ‘Fragile Limit’ was specifically created for the ‘Klankvorm presents Audio Visual explorations’ event and was developed in a short-term residency at Ubik, Rotterdam by Sophia Bulgakova and Perila.

Artists:
Sophia Bulgakova & Mark IJzerman (iii – instrument inventors initiative)

Image: ITGWO, Vlieland, The Netherlands, 2022, courtesy of the artists.

Seba Kayan
Seba Kayan

As part of the Long Night of Museums, Seba Kayan will be playing in the Belvedere 21 Foyer for the conclusion of her workshop Decolonize Electronic Music: The search of repressed possibilities.

Seba Kayan is a Viennese DJ, Artist, Music Producer and Lecturer transforming the music landscape with an unparalleled fusion of sound and culture.
Growing up between two worlds and musical influences, Seba decided to combine both her European and Kurdish roots in her unique sound.Her signature blend includes Oriental futuristic electro, techno, and Acid, expertly weaving the unmistakable sound of the so called "Oriental" Music into techno frameworks.

Image: Seba Kayan © Yakoone

Civa Closing Party
Fingers of God, মm., SORA, ALTROY JEROME, Klimentina Li, Maximilian Prag

The festival concludes with a closing party at Celeste, in collaboration with Unsafe+Sounds and A party called JACK.

Fingers of God - live (Unsafe+Sounds)
মm. – DJ (Unsafe+Sounds)
SORA – DJ (A party called JACK)
ALTROY JEROME – DJ (A party called JACK)
Klimentina Li – light (Civa) 
Maximilian Prag – visuals (Civa)

VISTA Opening Festival: Welcome to the Quantum World
Ana Prendes, Georgios Katsaros, Florian Aigner, Marina Otero Verzier, Manuel Correa

In collaboration with the Civa Festival Vienna, VISTA presents an exciting event on the emerging world of quantum computing. After decades of theory and experimentation, this technology is approaching realization and promises applications in fields such as healthcare, electronics, and finance. The panel opens with a screening of Building for Quantum (2025), a film by Marina Otero and Manuel Correa, which documents the construction of Spain’s first quantum computing facility. The documentary explores both the physical and philosophical aspects of quantum architecture and reflects on the visions and challenges of this technology.

Following the screening, a discussion will take place, moderated by curator Ana Prendes, with contributions from Georgios Katsaros, Florian Aigner, Marina Otero Verzier, and Manuel Correa. The conversation will address the far-reaching implications of quantum computing, the challenges involved, and the role of artistic as well as critical practices in engaging with this new technological dimension.

Image Building for Quantum, videoinstallation by Manuel Correa, Marina Otero Verzier, Manu Sancho and Emil Olsen at the main exhibition of INTELLIGENS – The 19th International Architecture Exhibition, La Biennale di Venezia, 2025, Arsenale, Venice. Photo © José Hevia.

Catalogue Presentation and Tour
Eva Fischer, Manuel Radde und Philipp Doringer

Curator Eva Fischer guides visitors through the exhibition and afterwards talks with Manuel Radde and Philipp Doringer about the graphic design of the quantum focus in the catalogue.

Excursion: Atominstitut of the Vienna University of Technology
Karin Poljanc

At the Atominstitut of the Vienna University of Technology, in addition to several research groups in quantum, low-temperature, and neutron physics, Austria’s only remaining operational research reactor is located. During this tour with physicist Karin Poljanc, participants will visit the research reactor (TRIGA MARK II) and learn about its functions. The tour offers fascinating insights into reactor physics and radiation protection.

Participation is only possible with a free event ticket. Get your ticket here!

Ein Quantensprung in der Zeitmessung
Thorsten Schumm, Miriam Hamann, Eva Fischer

The short film Ein Quantensprung in der Zeitmessung tells of a groundbreaking breakthrough at the Atominstitut of the Vienna University of Technology: In 2023, Thorsten Schumm and his team succeeded for the first time in exciting an atomic nucleus with laser light – a milestone for basic research. Afterwards, curator Eva Fischer and artist Miriam Hamann talk with the physicist about scientific background, applications such as guidance systems for people with visual impairments or self-driving cars. The discussion also addresses the change in our understanding of time through new findings in research.

Speakers:
Thorsten Schumm (Atominstitut, TU Wien), Miriam Hamann, Moderation: Eva Fischer

Participation at Blickle Kino is only possible with a free event ticket. Get your ticket here!

Brute Force
Felix Lenz, Ganaël Dumreicher, Dunia Sahir, Ivana Pilić

The artists Felix Lenz, Ganaël Dumreicher, and Dunia Sahir, in conversation with Ivana Pilić from D–Arts, provide insights into the methods behind their essay film Brute Force (2025). The open discussion navigates through film fragments and illustrates how quantum physics and geology make omissions, distortions, and ecological consequences of data extraction visible. From interference patterns to salt lakes, the film highlights how the complex reality of the world collides with the simplifying rationalities of the digital age.

Speakers:
Felix Lenz, Ganaël Dumreicher, Dunia Sahir, Moderation: Ivana Pilić

Participation at Blickle Kino is only possible with a free event ticket. Get your ticket here!

Image Brute Force (Filmstill), 2025 © Felix Lenz

|indeterminate⟩⟨apparatus| Curator's Tour with Eva Fischer
Eva Fischer

Curator Eva Fischer provides insights into the curatorial concept of the exhibition.

Excursion: Atominstitut of the Vienna University of Technology
Karin Poljanc

At the Atominstitut of the Vienna University of Technology, in addition to several research groups in quantum, low-temperature, and neutron physics, Austria’s only remaining operational research reactor is located. During this tour with physicist Karin Poljanc, participants will visit the research reactor (TRIGA MARK II) and learn about its functions. The tour offers fascinating insights into reactor physics and radiation protection.

Participation is only possible with a free event ticket. Get your ticket here!